Miss Treatment - It's Psycho-Pop (2007) The Pipettes - We Are the Pipettes (2006)

Part: 1 : Miss Treatment - It's Psycho-Pop (2007)

Password: sharedmp3.net

Miss Treatment - It`s Psycho-Pop
 
 ARTIST.....: Miss Treatment
 TITLE......: It`s Psycho-Pop
 LABEL......: Jungle Records
 URL........: http://www.misstreatment.com/
 
 RIP DATE...: 2006-04-26
 STORE DATE.: 2006-01-11
 GENRE......: Punk Rock
 QUALITY....: VBR  /  44.1kHz  /  Joint Stereo
 SIZE.......: 27 MB
 
 
 Track Listing:
 
 01  - Cursed                                     3:59
 02  - Born Again                                 3:34
 03  - Dead Lover                                 4:37
 04  - Killer Nurse                               2:38
 05  - Cursed (Alt. Take)                         3:57
 
                                                 ÄÄÄÄÄ
                                                 18:45  min
 Release Notes:
 
 Psychobilly from Finland!
 
 

http://fdnlinks.com/link/da3f10203b29892aea0564433ca974b2

Part: 2 : The Pipettes - We Are the Pipettes (2006)

Password: sharedmp3.net

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 ÞÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛßÛÛÛÛÛÛÛÛÝ
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 ÞÛßÛÛÛÛ²²ÛßÛßß                                                  ßßßß²²²ÛÛÛÜÛÛÝ
 ÞÛÛÛÛ²²ß   Û                                                          ß²ÛÛÛÛÛÝ
 ÞÛÛÛ²²Ý    Û      BETTER YOU TAKE THAT IS PROUD TO BRING YOU           Þ²ÛÛÛÛÝ
 ÞÛÛÛÛ²²°   Ü                                                           ²ÛÛÛÛÛÝ
 ÞÛÛÛÛÛ²²Ü      the Pipettes - We Are the Pipettes (US RETAIL)        ܲ²ÛßÛÛÛÝ
 ÞÛÛß ßÛ²²Ý                                                          Þ²²ÛÛÛÛÛÛÝ
 ÞÛÛÛÜÛÛ²²²  ARTiST.... The Pipettes                                 ²²ÛÛÛÛÛÛÛÝ
 ÞÛÛÛÛÛ²²²Ý  TiTLE.....  We Are the Pipettes (US RETAIL)             Þ²²²ÛÛÛÜÛÝ
 ÞÛÛÛ²²ßß    LABEL..... Cherrytree/Interscope    SOURCE... CDDA        ßß²²²ÛÛÝ
 ÞÛ²ß        GENRE..... Indie                    QUALiTY.. VBRkbps         ß²ÛÝ
 ÞÛÝ   Üþ    RiP.DATE.. Sep-22-2007              TRACKS... 16          þÜ   Þ²Ý
 ÞÛ°ÜÜ²Ý     STOREDATE. Oct-02-2007              LENGTH... 39:12 min    Þ²ÜÜ ÛÝ
 ÞÛÛÛ²²                                          SUPPLiER. TEAM BUTT     ²²ÛÛÛÝ
 ÞÛÛ²²Ý                                                                  Þ²²ÛÛÝ
 ÞÛ²²ß                                                                    ß²²²Ý
 Þ²Ý    NR. TRACKNAME                                             TiME      ÞÛÝ
 ÞÛ                                                                          ÛÝ
 ÞÛ     01  We Are the Pipettes                                   02:51      ÛÝ
 ÞÛ     02  Pull Shapes                                           03:00      ÛÝ
 ÞÛ     03  Why Did You Stay?                                     01:46      ÛÝ
 ÞÛ     04  Dirty Mind                                            02:45      ÛÝ
 ÞÛ     05  It Hurts to See You Dance So Well                     02:10      ÛÝ
 ÞÛ     06  Judy                                                  02:52      ÛÝ
 ÞÛ     07  A Winter's Sky                                        03:08      ÛÝ
 ÞÛ     08  Your Kisses Are Wasted on Me                          02:12      ÛÝ
 ÞÛ     09  Tell Me What You Want                                 02:33      ÛÝ
 ÞÛ     10  Because It's Not Love (But It's Still A Feeling)      02:36      ÛÝ
 ÞÛ     11  Sex                                                   02:40      ÛÝ
 ÞÛ     12  One Night Stand                                       01:44      ÛÝ
 ÞÛ     13  ABC                                                   02:08      ÛÝ
 ÞÛ     14  I Love You                                            01:37      ÛÝ
 ÞÛ     15  Dance and Boogie                                      02:11      ÛÝ
 ÞÛ     16  Baby, Just Be Yourself                                02:59      ÛÝ
 ÞÛ                                                                          ÛÝÜ
 ÞÛ                                                   TOTAL TiME: 39:12 min  ÛÝÜ
 ÞÛ                                                   TOTAL SiZE:  54,7 Mb   ÜÛÛ
 ÞÛ                                                                         ÞÛß
 ÞÛ                                                                         ÛÝÜ
 ÞÛ        ÞÛß²ß
 ÞÛ                                                                         ÛÝ
 ÞÛ     RELEASE NOTES:                                                      ÞÛÝ
 ÞÛ                                                                          ÛÝ
 ÞÛ     US RETAIL - OCT 2ND, INCLUDES 2 BONUS TRACKS                         ÛÝ
 ÞÛ                                                                          ÛÝ
 ÞÛ     The group was formed in mid-2003 by Monster Bobby with the           ÛÝ
 ÞÛ     intention of reviving the Phil Spector pop sound and giving it a     ÛÝ
 ÞÛ     modern twist, after noticing the reaction girl group songs got       ÛÝ
 ÞÛ     during his DJ sets[3]. In collaboration with singer, poet and        ÛÝ
 ÞÛ     photographer Julia Clark-Lowes, who was inspired by Bill             ÛÝ
 ÞÛ     Drummond (and Jimmy Cauty)'s The Manual [1], he recruited            ÛÝ
 ÞÛ     friends from and around the local music scene[2]. The group have     ÛÝ
 ÞÛ     been called an experiment in manufactured pop, although the          ÛÝ
 ÞÛ     members' take is that they manufactured themselves. [3] [4] The      ÛÝ
 ÞÛ     male backing musicians, "The Cassettes" rarely appear in             ÛÝ
 ÞÛ     interviews or photoshoots, adding mystique and emphasising the       ÛÝ
 ÞÛ     role of the singers. The three frontwomen wear polka dot dresses     ÛÝ
 ÞÛ     and synchronised choreography is a major part of their live          ÛÝ
 ÞÛ     shows, whereas The Cassettes can be seeing wearing tank tops         ÛÝ
 ÞÛ     with their initials sewn onto them.                                  ÛÝ
 ÞÛ                                                                          ÛÝ
 ÞÛ     The line-up consisting of Rosay, Julia ("The Duchess"),              ÛÝ
 ÞÛ     RiotBecki, Jon, Seb, Joe and Bobby settled in mid-2004, after        ÛÝ
 ÞÛ     earlier line-ups consisted of members from the Electric Soft         ÛÝ
 ÞÛ     Parade/Brakes. In April 2005, founder member Julia left to           ÛÝ
 ÞÛ     concentrate on her own project The Indelicates and was replaced      ÛÝ
 ÞÛ     by fan-turned-member and former Welsh language electropop solo       ÛÝ
 ÞÛ     artist, Gwenno. Three limited edition vinyls were released in        ÛÝ
 ÞÛ     2005, leading to the group being signed to Memphis Industries        ÛÝ
 ÞÛ     shortly after touring with the same label's The Go! Team as well     ÛÝ
 ÞÛ     as the likes of The Magic Numbers and British Sea Power. Debut       ÛÝ
 ÞÛ     album "We Are the Pipettes" was released in the United Kingdom       ÛÝ
 ÞÛ     on July 17, 2006 and reached #41 in the UK Album Chart. In June      ÛÝ
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Xavier Rudd - White Moth (2007) VA - Night of the Proms (2007)

Part: 1 : Xavier Rudd - White Moth (2007)

Password: sharedmp3.net

Artist.......: Xavier Rudd
 Album........: White Moth
 Label........: Anti
 Genre........: Pop
 Catnr........: n/a
 source.......: CDDA
 rip.date.....: May-24-2007
 str.date.....: Jun-02-0000
 quality......: VBR/44.1Hz/Joint-Stereo
 Url..........: n/a
 
 track  title                                          time
 
  01.   Better People	                                03:07
  02.   Twist	                                        03:01
  03.   Stargaze	                                     03:36
  04.   Choices	                                      04:23
  05.   Come Let Go	                                  06:52
  06.   White Moth	                                   02:09
  07.   Footprint	                                    07:04
  08.   Land Rights	                                  03:14
  09.   Anni Kookoo	                                  03:18
  10.   Message Stick	                                05:12
  11.   Set It Up	                                    04:09
  12.   Whispers	                                     04:44
  13.   Whirlpool	                                    04:29
  14.   Come Back                                     04:09
 
                                             Runtime  59:27 min
                                             Size     76,10 MB
 
 
 Release Notes:
 
 For so many artists, the divide between their live
 shows and their albums can be enormous. And for an
 artist like Xavier Rudd, who utterly thrives in
 front of audience, and feeds off its energy,
 capturing that live electricity has always proved a
 wee elusive—that is, until now.
 
 With White Moth he's finally harnessed that spirit,
 thus realizing a goal of combining the acoustic
 warmth offered by a studio with the adrenalin of
 the stage. Yet the disc, the Australian roots music
 star's fourth album (and third to be released in
 the U.S.), isn't all about sound techniques,
 fidelity and the stuff that keep soundman chatting
 into the middle of the night.
 
 Rather, it's just the opposite, as White Moth
 charts the spiritual journey multi-instrumentalist
 Rudd has been on over the past few years, during
 which he's traveled the globe and built a devoted
 following drawn to his amalgamation of folk,
 reggae, rock and world music. Featuring guest
 vocals from Aboriginal singers, it finds him paying
 respect to Australia's indigenous people, from whom
 the didgeridoo virtuoso has drawn bottomless
 inspiration.
 
 Lyrically, it pays homage to those same people, and
 also to his wife and [CENSORED]ren, environmental
 activists—whom he refers to as the "better
 people"—and to the people who make this life
 possible, his fans, who fuel the spirit of White
 Moth.
 
 Co-produced by Rudd and Dave Ogilvie (David Bowie,
 Marilyn Manson and N.E.R.D.), most of the album's
 tracks were captured in the woods of British
 Columbia's Sunshine Coast at Gggarth Richardson's
 studio, The Farm. It was there that Rudd, in order
 to capture the bigness of his live sound, plugged
 into a P.A. system, which was then mic-ed. Rudd set
 up various instruments, like his didgeridoos and
 stomp boxes, in other rooms, from which he and
 Ogilvie could capture woody tones that could be
 fused to the electric tracks.
 
 "On quite a few of songs, it sounds like there's
 bass, but that's just me playing live," says Rudd.
 "I have a technique that I figured out, where I'm
 playing basslines off my thumb while I play the
 melody with my fingers—finger picking. It sounds
 like a bass player playing, but it's just me. So
 it's great, I'm especially stoked with how we
 captured that."
 
 Within the songs composing White Moth, Rudd takes
 you on a personal tour of his world. The title
 track and the song "Stargaze" come from time spent
 with his wife and their two [CENSORED]ren. The former
 remembers a night they spent sleeping under the
 stars, while "White Moth" recalls a particularly
 special moment on the day of his wife's 30th
 birthday, when the family was vacationing on an
 island off the coast of Sri Lanka: "That day, a
 white moth came to our six-year-old, a beautiful
 white moth and stayed with him for about three
 hours. We thought it was the spirit of my wife's
 grandmother, which is often with her. It sort of
 reflects that day, which was a really positive day,
 and my wife, who has been the backbone of this
 whole career of mine for years.
 
 "This album," Rudd notes, "feels like an amazing
 recording. It's been a really good space and a
 really good time, and it's just sort of a nice,
 positive reflection of our whole journey over the
 last seven or eight years."
 
 Featuring appearances by members of the esteemed
 Aboriginal musical group Yothu Yindi, percussionist
 Dave Tolley, Panos Grames, and First Nations Cree
 elder Kennitch, White Moth is representative of
 Rudd's entire life, ranging from those snapshots of
 life at home on Australia's south coast (in the
 town of Jan Juc), and meditations on friends
 ("Twist") and the family bond (the cancer victim in
 "Choices") to emotional and literal trips to
 Australia's historic Arnhem Land, an Aboriginal
 territory whose people are the subject of the song
 "Land Rights." Rudd recorded some of the guest
 vocals on White Moth here, and with an elder in
 Canada, where his wife was born.
 
 "These people are the special people, who, as human
 beings, have been connecting with this land for
 thousands and thousands of years in their family
 lives," says Rudd. "I feel like these people have
 been denied a voice in the white settlements in
 Australia. We live in a time where we're rapidly
 deteriorating the environment—in a manner of a
 couple hundred years. They've been on the planet
 for 60,000 years without leaving a stone unturned
 environmentally. So I feel like these people should
 be given a voice."
 
 With the music building into a storm-like squall at
 song's end, "Footprint" examines the damage being
 done by global warming, while "Better People" is
 Rudd's tribute to the people who deserve more
 credit for their environmental activism than he: "I
 feel kind of guilty sometimes because I'm getting
 highlighted for those things, while, in my busy
 life, I'm constantly touring, constantly playing
 through these power-hungry P.A. systems in a time
 when global warming is so critical, so I feel a
 little toxic in the existence that I live in. So
 that song is like a respect song to the people who
 should be doing those interviews, the ones who are
 strapping themselves to trees, out in the ocean
 saving whales and feeding kids in Africa. They're
 the real heroes."
 
 A one-man-band/multi-instrumentalist who plays
 guitars, shakers, didgeridoos, Weissenborn slide
 guitars, stomp boxes, djembes, harmonica, ankle
 bells, and slide banjo, Rudd made his U.S. debut in
 2004 with Solace. In the three years since, his
 popularity and reputation have begun to mushroom
 for a string of conscious, heartfelt songs and,
 maybe more so, for a rather impressive stage show
 that often finds him performing those songs'
 guitar, didgeridoo and various percussion parts
 simultaneously—using a unique set-up that finds him
 literally surrounded by his various instruments and
 singing from behind a stand holding three
 didgeridoos (of different keys).
 
 A bona fide star in Australia, Rudd grew up in
 Bell's Beach in Southern Victoria, notable for its
 cameo in the memorable surf film Point Break.
 Reared in a music-friendly environment, where his
 parents spun records by the likes of Neil Young and
 Paul Simon, as a [CENSORED] Rudd played guitar,
 clarinet, saxophone and didgeridoo, the
 50,000-year-old wooden trumpet of the Aborigines.
 
 In 2002, Rudd released his debut album in
 Australia, To Let, which was followed by Solace and
 in 2004 by Food in the Belly, his debut for Anti-,
 for which he has trekked across the U.S. several
 times supporting—amassing a burgeoning grass-roots
 fanbase and the admiration of the likes of Ani
 DiFranco and Jack Johnson, while hitting many of
 the country's top festivals, like Bonnaroo.
 
 Both Solace and Food in the Belly have been
 certified platinum and gold sales certifications in
 Australia, while his 2006 DVD Good Spirit
 (2006)—filed at a sold-out 2004 show in Sydney—was
 also recently certified gold in Australia.
 
 Of White Moth, he says, "I think the record is just
 a reflection of my journey and my journey is
 amazing. It's a reflection of a connection with
 powerful people around the world—powerful
 spirits—but also connections with the energy that
 people bring to my show. You know, I'm really lucky
 that I have such a good and amazing support base
 everywhere I go. Great people come to my gigs, and
 they bring beautiful energy, and that energy flows
 through me everywhere I go, every show I play.
 
 "It all shapes what I do. So I feel like everyone
 that's been part of this journey to me, down to
 everyone who comes to the gig has helped shape what
 this album has become. And it's a really positive
 one for me. It's the most positive recording I've
 done, in terms of sitting back and saying, 'Wow,
 what a journey, here it is, I hope it reflects
 it.'"
 
 

http://fdnlinks.com/link/28498e15a3bde4ab0923194c2b6b2255

Part: 2 : VA - Night of the Proms (2007)

Password: sharedmp3.net

               Musical Over Dose
               is proud to present
 
 
      Rls Name   : VA - Night of the Proms 2007
 
      Rls Date   : Dec-07-2007
      Street Date: Nov-30-2007
      Rls Type   : Sampler
      Company    : p.s.e germany
      Genre      : Pop
      Source     : CDDA
      Tracks     : 01
 
 
      Encoder    : LAME 3.97 V2: preset standard
      Quality    : VBRkbps / 44.1kHz / Joint-Stereo
      Bitrate    : avg. 185kbps
 
 
             VA - Night of the Proms 2007
 
          01 Il Novecento - Ouvertüre NOTP 2007 |
          02 Il Novecento - Romeo & Julia
          03 I Muvrini - Agnus Dei / Per Amore
          04 I Muvrini - A Voce Rivolta
          05 Il Novecento & Fine Fleur - Barock Medley
          06 Il Novecento & Roby Lakatos - Thema aus Schindler's
             Liste
          07 Il Novecento & Roby Lakatos - Medley Roby Lakatos
          08 Paul Carrack - Over My Shoulder
          09 Paul Carrack - The Living Years
          10 Il Novecento - Coppelia's Donauwellen
          11 John Miles - Smooth
          12 Soulsister - So Long Ago
          13 Soulsister - The Way To Your Heart
          14 Il Novecento - Mitsing Medley
          15 Pur - Lena
          16 Pur - Ein Graues Haar
 
 
 
 
                                                                 ________
                                                                  73:29 Min
                                                                    97,6 MB
 
 
      The Nokia Night Of The Proms ist in vielfacher
      Hinsicht einzigartig. Es verschmilzt, zu gleichen
      Teilen, zwei lange Zeit als unvereinbar geltende
      Stilrichtungen: E- und U-Musik! Das 72-köpfige
      orchester Il Novecento samt Chor Fine Fleur unter
      der Leitung von Robert Groslot spielt die
      klassischen Hits und begleitet – zusammen mit der
      Electric Band – auch die Pop-Stargäste. Der
      nahtlose Brückenschlag von populärer Klassik zu
      Pop-Klassikern wird seitens des Publikums mit einer
      derart lebhaften Begeisterung begleitet wie sie
      sonst kaum mitzuerleben ist. The Nokia Night of the
      Proms bietet breitenwirksame Unterhaltung auf
      höchstem Niveau in einem grandiosen Konzert-Sound.
 
 
 
 
 
      Termine 2008
 
 
      * Fr.28.11.2008 – Köln, Kölnarena (bestuhlt)
      * Sa.29.11.2008 – Köln, Kölnarena
      * So.30.11.2008 – Oberhausen, Arena
      (18:00-bestuhlt)
      * Di.02.12.2008 – Mannheim, SAP Arena
      (bestuhlt)
      * Mi.03.12.2008 – Frankfurt, Festhalle
      * Do.04.12.2008 – Frankfurt, Festhalle
      * Sa.06.12.2008 – Dortmund, Westfalenhalle
      * So.07.12.2008 – Erfurt, Messehalle (bestuhlt)
      * Di.09.12.2008 – Stuttgart, Schleyerhalle
      (bestuhlt)
      * Do.11.12.2008 – München, Olympiahalle
      (bestuhlt)
      * Fr.12.12.2008 – München, Olympiahalle
      * Sa.13.12.2008 – München, Olympiahalle
      * So.14.12.2008 – München, Olympiahalle
      (14:00-bestuhlt)
      * Di.16.12.2008 – Bremen, AWD Dome (bestuhlt)
      * Mi.17.12.2008 – Hannover, TUI Arena
      (bestuhlt)
      * Fr.19.12.2008 – Berlin, O2 World (bestuhlt)
      * Sa.20.12.2008 – Hamburg, Color Line Arena
      (bestuhlt)
      * So.21.12.2008 – Hamburg, Color Line Arena
      (18:00-bestuhlt)
 
 
      www.notp.com
 
 
 
 
 
 
 
 
 
 
 

http://fdnlinks.com/link/f7a6273a7977765701a8732dbdc071cc