Tuesday, February 24, 2009

Trembling Blue Stars - The Last Holy Writer Billy Joel - Greatest Hits Vol 3 (1997)

Part: 1 : Trembling Blue Stars - The Last Holy Writer
Password: sharedmp3.net
Artist     : Trembling Blue Stars
Album : The Last Holy Writer
Label : Elefant Records
Genre : Alternative
Bitrate : 207 kbps avg
Source : CD (LP)
Playtime : 00:55:03 (86.4MB)
Rls date : 2007-04-11
Store date : 2007-05-14


[Track List]
1. By False Lights 4:53
2. Idyllwild 4:09
3. Sacred Music 4:47
4. This Once Was An Island 4:11
5. The Coldest Sky 5:44
6. Schnee Gletscher Glas 2:53
7. November Starlings 4:07
8. Darker, Colder, Slower 3:57
9. From A Pale Blue Rosary 4:54
10.Say Goodbye To The Sea 3:19
11.The Tenth Of Always 4:28
12.A Statue To Wilde 7:41


"The Last Holy Writer" is the sixth album by Trembling
Blue Stars, thes econd one released worldwide through
Elefant Records. This album is dark, intimate, melancholic
and cloudy, but every now and then there are rays of
sunshine coming through the clouds, riding sunny melodic
breezes.

Slowdrive and The Cure are still good references for this
music, but they are toolimited to describe the unique
sound of Trembling Blue Stars, a sound that's ready to
mingle melodic, sensitive pop with many electronic sounds,
distortions, noises, static and even field recordings that
envelope the songs with a nostalgic halo. On one song,
percussion is provided by footsteps on dry branches and
shingles, and on another song a recording of dawn on the
Romney Marsh provides the backdrop.

The Rain Parade, Mazzy Star and Galaxie 500 come up here
and there: on this album there's folk, and there's
electronica and 80's influences and avant country and, of
course,there's the best pop music you can hear. There's no
doubt you will fall in love again with Bobby Wratten's
music. They have hit the target again.

"The Last Holy Writer" is the proof that one of the most
influential bands in indie-pop is at its most creative,
daring and inspired, now more concentrated than ever in
writing the most beautiful pop songs you've heard for
ages.

Part: 2 : Billy Joel - Greatest Hits Vol 3 (1997)
Password: sharedmp3.net
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Presents: Billy_Joel-Greatest_Hits_Vol_3-1997-Error403

ÉþÍÄÄÄÄÄÄÄÄÍþ»
ÉÍÄþ ÍÄÍ ÍÄÄÄÍ ÍÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄþ¹ ALBUM INFO ÌþÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÍ ÍÄÄÄÍ ÍÄÍ þÄÍ»
º ÈþÍÄÄÄÄÄÄÄÄÍþ¼ º
º Artist : Billy Joel º
º Album : Greatest Hits Volume III º
º Bitrate : VBR 189 average kbps (High Quality 44.1 kHz Joint Stereo) º
º URL : http://www.cduniverse.com/productinfo.asp?pid=1089582&BAB=E º
º ÉþÍÄÄÄÄÄÄÄÄÍþ» º
ÌÍÄþ ÍÄÍ ÍÄÄÄÍ ÍÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄþ¹RELEASE INFOÌþÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÍ ÍÄÄÄÍ ÍÄÍ þÄ͹
º ÈþÍÄÄÄÄÄÄÄÄÍþ¼ º
º Source : CD (LP) NFO [û] º
º Label : Sony SFV [û] º
º Year : 1997 M3U [û] º
º Genre : Pop LOG [û] º
º Ripper : Error403 JPG [û] º
º Rip date : 2007-04-23 º
º Store date : 1997-08-19 º
º Rip tool : EAC 0.95 beta 4 (Secure Mode) º
º Encoder : Lame 3.97 -V2 --vbr-new º
º Size : 108.22 megs º
º Catalog# : 67347 º
º Supplier : Store º
º ÉþÍÄÄÄÄÄÄÄÄÍþ» º
ÌÍÄþ ÍÄÍ ÍÄÄÄÍ ÍÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄþ¹ TRACK LIST ÌþÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÍ ÍÄÄÄÍ ÍÄÍ þÄ͹
º ÈþÍÄÄÄÄÄÄÄÄÍþ¼ º
º Total Tracks : 17 º
º 1. Keeping The Faith 4:38 º
º 2. An Innocent Man 5:19 º
º 3. A Matter Of Trust 4:12 º
º 4. Baby Grand (duet w/ Ray Charles) 4:05 º
º 5. This Is The Time 5:01 º
º 6. Leningrad 4:04 º
º 7. We Didn't Start The Fire 4:49 º
º 8. I Go To Extremes 4:24 º
º 9. And So It Goes 3:38 º
º 10. The Downeaster "Alexa" 3:44 º
º 11. Shameless 4:27 º
º 12. All About Soul (Remix) 6:01 º
º 13. Lullabye (Goodnight, My Angel) 3:34 º
º 14. The River Of Dreams 4:11 º
º 15. To Make You Feel My Love 3:53 º
º 16. Hey Girl 3:57 º
º 17. Light As The Breeze 6:12 º
º ----------------------------------------------------------------------- º
º 76:09 º
º ÉþÍÄÄÄÄÄÄÄÄÍþ» º
ÌÍÄþ ÍÄÍ ÍÄÄÄÍ ÍÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄþ¹ NOTES ÌþÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÍ ÍÄÄÄÍ ÍÄÍ þÄ͹
º ÈþÍÄÄÄÄÄÄÄÄÍþ¼ º
º Personnel includes: Billy Joel (vocals, harpsichord, harmonica, º
º accordion, piano, Fender Rhodes, clavinet, Hammond B-3 organ, º
º synthesizer, percussion); Ray Charles (vocals, piano); Mac McAnally º
º (acoustic guitar); David Brown, Russell Javors, Dann Huff, Dean Parks º
º (guitar); Paul Franklin (pedal steel); Clint Black (harmonica); Mark º
º Rivera (alto & tenor saxophones, percussion); Michael Brecker (tenor º
º saxophone); Ronnie Cuber (baritone saxophone); Everette Harp º
º (saxophone); Jim Horn, Paul Litteral (horns); John Gatchell, Joe Shepley º
º (trumpet); Matt Rollings (piano); Steve Nathan (organ); Neil Stubenhaus, º
º Doug Stegmeyer (bass); Willie Weeks, Vinnie Colaiuta (drums); Color Me º
º Badd, Trisha Yearwood. Chris Rodriguez (background vocals). Producers º
º include: Phil Ramone, Mick Jones, Billy Joel, Danny Kortchmar, Peter º
º Asher, Steve Lindsey. Engineers include: Jim Boyer, Jay Healy, Niko º
º Bolas, Joe Nicolo, Phil Nicolo. Recorded at Right Track and Sony º
º Studios, New York City, New York; Andora, Capitol and Conway Recording º
º Studios, Los Angeles, California. In his own inimitable fashion, Billy º
º Joel has crafted some of the catchiest pop hits of the '80s and '90s, º
º and most of them--17, to be exact--are on this disc. The jaunty, º
º nostalgic "Keeping the Faith" opens things up, and we cruise right down º
º memory lane with Billy: through the pop-soul of "A Matter of Trust," the º
º brash, rocking "I Go to Extremes" and "All About Soul" (remixed here to º
º good effect). Joel has grown over the course of his long career, and you º
º can trace his maturity as an artist through these later songs. The tone º
º is a bit darker, a bit edgier than on his earlier tunes. This is an º
º artist who has always been about making pop music, but he's also lived º
º and learned: "You gotta get tough/but that ain't enough/it's all about º
º soul." Fans will probably agree, and will enjoy this collection º
º immensely. º
º º
ÈÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍͼ

The Spill Canvas - One Fell Swoop Kool Keith - The Return of Dr Octagon (2006)

Part: 1 : The Spill Canvas - One Fell Swoop
Password: sharedmp3.net
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ÝÄÄÄÄÄÄ Release Info ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ ÞÝ ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ Ý ÄÄÄÄÄÄÄÄ Þ
Þ
Þ
Originally released : 08-09-2005
Release date : 04-23-2006
Album name : One Fell Swoop
Artist : The Spill Canvas

Ripped by : Fisteh`
Genre : Rock
Label : One Eleven

Encoding Software : Lame EOS
Quality : -V 2

Tracks : 13
Size of Files : 76,6 MB

Ä Track list ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ ÄÄÄ Ä Ä


01 03:25 Lust A Prima Vista
02 03:14 Staplegunned
03 03:04 Polygraph, Right Now
04 03:58 The Dutch Courage
05 04:36 Natalie Marie And Icc
06 03:53 Teleport- A&b
07 03:22 This Is For Keeps
08 05:30 Himerus And Eros
09 03:55 Break A Leg
10 04:30 Secret Oath
11 05:16 Valiant
12 05:35 Bound To Happen
13 05:44 Self-Conclusion


Total time: 56:02 min
Ä Release notes ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ ÄÄÄ Ä Ä

Another acoustic based emo band fronted by a 19 year
old guy with girl problems? I'll admit that I was more
than worried myself when recommended this band by a
slew of 16 year old girls whose definition of enjoyable
music requires a heartthrob frontman. However, after
giving The Spill Canvas' debut album Sunsets and Car
Crashes numerous listens, I found myself peculiarly
drawn into the band and their music.
Unlike most bands whose lyrics cater to the 14 year
old, yet somehow heartbroken audience, The Spill Canvas
manages to actually craft very clever and compelling
songs. Their lyrics are very adolescent and obviously I
am not a part of the target audience, but the music
itself is very creative and fascinating. On their
latest release One Fell Swoop the band takes the same
essential experience of the debut album, and polishes
the finish, producing a stellar disc. Easily one of the
best releases of 2005 thus far.

If you listened to Sunsets and Car Crashes and found
yourself deeply in love with a few key tracks, namely
"All Hail The Heartbreaker", "The Tide" and
"Caterpillars", and let down by the majority of the
rest, you will adore One Fell Swoop. The band has
developed from a side project into an emphatic entity
all of its own, and while the lyrics may not have
matured with the musicianship, the writing and
production far exceeds the band's debut .

Most emotional music tends to be hastily written off by
most "music lovers" due to cliched themes and
instrumentation, revisiting the same lyrics and music
in order to sell a few more records at the mall to a
few more teenage girls. While The Spill Canvas may fall
short on lyrical content ("you make it warm when it's
cold outside, not even hell could be hotter than you
right now") the overall feel of the music is so
inherently compelling that you can't help but enjoy it.
This is pop music for people who don't generally buy
into most pop music, while this review may be causing
me appear as though I've lost my mind, you really need
to hear this album to understand the incommunicable
ingredient of the music that will draw you in
immediately.

Now that I've accidentally pushed all of you hardcore
indie scenesters and elitists away from this album with
my promises of melody and laughable lyrical content,
its time to attempt to draw you back in. The first
track on the disc titled "Lust a Prima Vista" opens
with a jumping pop guitar melody that catches you off
guard with an oddly placed 6/4 bar before dropping into
the bass driven verses. The song manages to keep your
attention with its minute and quirky details
intertwined with standard fare radio pop facets.

Sadly a lot of people will tear into this album, based
purely on the fact that the music is often compared to
the likes of Dashboard Confessional, or The Early
November, but anyone with an open mind will find
something enjoyable on this disc.

Ä Contact ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ ÄÄÄ Ä Ä

Contact us @ : #eos (efnet)

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ßßßßßß ß RIPPING AT ITS FINEST -- ECONOMY OF SOUND ß ßßßßßß

Part: 2 : Kool Keith - The Return of Dr Octagon (2006)
Password: sharedmp3.net
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ÞÝÛ C4 Presents. . . ßß ßß
ÞÝÛ
ÞÝÛ Kool Keith - The Return Of Dr. Octagon
ÞÝßÛÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜ
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Genre......: Rap Label......: OCD
Rip Date...: Jun-22-2006 Rls Date...: 000-00-0000
Source.....: CDDA Size.......: 50.7 MB
Quality....: LAME 3.90.3 APS

ÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜ
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ÞÝÛ ------------
ÞÝÛ |Tracklisting|
ÞÝÛ ---------------------------------------------------------------
ÞÝÛ | 01| Kool Keith - Our Operators Are Masturbating | 00:25 |
ÞÝÛ | 02| Kool Keith - Trees | 02:47 |
ÞÝÛ | 03| Kool Keith - Aliens | 02:55 |
ÞÝÛ | 04| Kool Keith - Ants (feat. DJ Dexter) | 03:02 |
ÞÝÛ | 05| Kool Keith - Don't Worry Mz Pop Music | 00:32 |
ÞÝÛ | 06| Kool Keith - Perfect World | 02:38 |
ÞÝÛ | 07| Kool Keith - The Turtle Skit | 01:08 |
ÞÝÛ | 08| Kool Keith - Al Green | 02:46 |
ÞÝÛ | 09| Kool Keith - A Gorilla Driving A Pick Up Truck | 03:35 |
ÞÝÛ | 10| Kool Keith - Got Any Kids? | 00:24 |
ÞÝÛ | 11| Kool Keith - Doctor Octagon | 02:59 |
ÞÝÛ | 12| Kool Keith - It's The Morning | 02:49 |
ÞÝÛ | 13| Kool Keith - Jumpstart | 03:25 |
ÞÝÛ | 14| Kool Keith - Eat It (feat. Princess Superstar) | 05:02 |
ÞÝÛ ---------------------------------------------------------------|
ÞÝÛ Total Time: | 34:27 min|
ÞÝÛ ----------
ÞÝÛ
ÞÝßÛÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜ
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ÞÝÛ Release Notes. . .
ÞÝÛ
ÞÝÛ
ÞÝÛ
ÞÝßÛÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜ
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Group News / Contact. . .

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ÜÛßÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÛÜ
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- [ ASCii By `high24[7 Of HoA ] -

No title, read the post... The Shins - Chutes To Narrow

Part: 1 : No title, read the post...
Tori Amos : "Scarlet's Walk" (2002, HQ CD Rip, FULL ALBUM)
RAW LIKE SASHIMI'S FAVORITE ALBUM OF ALL TIME. LISTEN AND DISCOVER!
One of the inevitable results of the period following the attacks of September 11, 2001 was that artists of all stripes would come out with pieces that reflected their reactions to the disastrous events. Whether as an attempt to express the emotional horror, the tragedy, or the need for hope, such expressions are a part of the cathartic process when such an impact has been felt.
For Tori Amos, the events of 9/11 and their aftermath were a call for re-examination, both of what it meant to be an American, and what our nation's particular history held. Essentially, the roots of the United States' very peculiar mythology were exposed as we threw flags and solidarity and values and mores and shock into one large suture to cover the wound. But such wounds also reveal the meat beneath the surface of the skin, and while it can be a strange and sickening feeling, it's impossible not too look and ask questions of it and explore the nature of that which is typically hidden away. In other words, one of the results of September 11 is that people everywhere were forced to question what it means to be an "American".
These questions merged with a more personal history in Amos, whose direct lineage to the Cherokee people through he grandfather has always been a part of her personal definition. The understanding of the US's aggressive history, in particular the experience of the Trail of Tears, sat uneasily next to the version of post-9/11 America that pretended innocence. So, in order to rediscover America for herself and directly confront its myths, Tori took a walk, a very long walk. For a year, Amos took to the road, crisscrossing the United States on an extended road trip and personal exploration. As a travelogue, a novel told through song, an expose of myth and personal relationships, and a concept album, Scarlet's Walk is a record of these experiences.
In fact, Scarlet's Walk is an incredible idea, and as ambitious as anything in recent pop music memory. Amos has distilled her own real-life road trip into a succession of stories, told through the eyes of a semi-autobiographical character named Scarlet. As Scarlet moves through her life, falling in and out of relationships with friends, lovers, and traveling companions, her commentary ranges from the intensely personal to the complexly abstract. America, both the physical land and the conceptual space, are explored in the context of a wild, scarred, and open free spirit's own journey through herself. Scarlet and her attendant cast of characters come to represent a unique story of adventure, Amos's own conflicted feelings, and the American landscape itself. To accentuate this complex narrative, the Scarlet's Walk CD implements ConnecteD technology which unlocks a special website, called Scarlet's Web, through Amos's homepage. On this site you can trace Scarlet's path across ! the US with extra details including photos, a fictional travel diary, and geographical information. The same site also includes a running document of Amos's current tour as well as information on the various Native American tribes that were originally indigenous to each region of the country. In addition, the content of Scarlet's Web is continually updated with new information, giving the listener an ongoing, lived interaction with Scarlet's Walk. It's truly a multimedia experience.
For all that, what makes Scarlet's Walk truly exceptional is that it is probably Amos's finest work since Under the Pink. While Boys for Pele and From the Choirgirl Hotel had their definite moments, they were complicated albums, and at times only barely accessible. Last year's Strange Little Girls album, a disc completely comprised of reworked covers of songs about women originally recorded by men, seemed like a conceit and a stumble. While some praised the idea as genius, the execution failed on a number of levels. Scarlet's Walk might have gone the same route, a brilliant concept lost to poor implementation, but it does not. Instead, Amos has produced one of the most invigorating and arresting works of her career. It may have something to do with her recent move from the Atlantic label, where she has admitted the relationship was strained, to the Epic label and greater freedom, but whatever the case the results are phenomenal.
Scarlet's Walk is alternately delicate, lush, soft, gritty, beautiful, painful, wistful and joyous -- in short, all the things that devotees of Tori have come to expect. However, with Scarlet's Walk, Amos doesn't deliver in spots, she delivers in spades, maintaining a consistent strength throughout the album that supports, or is supported by, the core story at the heart of the album. There's also a palpable sense of maturity in this disc, which translates to an expansive but commanding songcraft ability. The brash and confrontational Tori of Little Earthquakes seems to have become an introspective and confident woman here, yet another reflection of the Scarlet persona's growth throughout the album.
Musically, Scarlet's Walk may actually be the most complete and approachable Amos album yet released. The piano remains front and center, sometimes replaced with organs but essentially the heart of Amos's sound, and her claim to mastery of the instrument is only reinforced by this album. But while the older musical references of Kate Bush and Joni Mitchell as forebears are still strongly in evidence, Amos seems to have gained a sense of mainstream pop from those whom she herself has influenced. This is nowhere more evident than on "A Sorta Fairytale", the album's first and most obvious single, which finds Tori sounding not unlike a combination of Jewel and Vanessa Carlton. Elsewhere she seems to invoke the spirit of Stevie Nicks (not surprisingly, as Tori's live version of "Landslide" remains the best cover of that song I've ever heard), particularly on "Pancake". This is not to say that Amos has changed her tune. Fans of her older material won't cry "sell-out", and the powe! rful back-to-back combo of "Carbon" and "Crazy" will instantly appeal to her die-hard audience.
Lyrically, Amos hasn't changed all that much at all. Her lyrics remain cryptic and obtuse here, but the focus of a long storytelling gives these songs a greater readability. Many of these songs can be read as individual explorations of relationships, and the uncanny ability that Amos has cultivated in turning her weird, dream-like ramblings into coded messages that appeal to individual and highly personal interpretation hasn't diminished. However, in the greater context of describing Scarlet's journey, these songs take on a larger significance that adds to their weight. Even the gorgeous "Your Cloud", which is possibly the most straightforward song in Amos's collection, has added relevance in this context. But this is undeniably a Tori Amos joint (to steal from Spike Lee). Even the obligatory reference to her friend, author Neil Gaiman, works its way onto Scarlet's Walk in an off-kilter line in "Carbon". This seems especially relevant considering the similar work Gaiman rece! ntly did in his fabulous novel, American Gods, itself an exploration of mythology in America (Amos-Gaiman watchers might also note the song "Wednesday", the name of one of the characters in American Gods, but that might be stretching things a bit).
If anything keeps Scarlet's Walk from completely succeeding, it might be Amos's ambition itself. The disc clocks in at over 74 minutes of music, and makes for a long, involved listen. The rewards for investing the time are certainly great, but by the time the last few songs play through it's hard to maintain focus, which is a shame considering "Scarlet's Walk" and "Gold Dust" are both great songs. A part of the problem is that as Scarlet matures over the course of the album, the music becomes softer, more lush and orchestrated, and it causes a bit of a lull. The other problem is that the story of Scarlet itself is incredibly complicated, while Amos is not one to spell things out in bold letters. The lyrics are typically cryptic, and even with the addition of the Scarlet's Web information, it's a slightly puzzling story to work out. The fact that the press kit for the album includes a track-by-track description of how each song progresses in the story makes it slightly easier! for critics to appreciate than it does for listeners.
But for these small problems, Scarlet's Walk is an amazing album. The concept alone is worth mention, and is an ambitious and thought-provoking project. One thing that this disc seems to highlight is that America is a land of change, and we are constantly rediscovering it, and ourselves within it. But even as a straight collection of songs, all connections aside, this is some of Amos's best work. Scarlet's Walk cements Amos's reputation, but it also seems like a homecoming from the more contrived work of her recent past. Complex, weighty, often brilliant, Scarlet's Walk is the album that many a fan has been waiting for.
Tori Amos : "Scarlet's Walk" (2002, HQ CD Rip, FULL ALBUM)
Part: 2 : The Shins - Chutes To Narrow
Password: sharedmp3.net
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E S C A P E R O C K S Y O U R S T E R E O W I T H

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ÛÛ±°°° °°±²ÛÛ ARTIST ù The Shins
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° °°±±Û±° °°±±²Û TIME ... 33:46 °°±²²Û °
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No. Track Time °
°
------------------------------------------------------

01 Kissing The Lipless 3:19
02 Mines Not A High Horse 3:20
03 So Says I 2:48
04 Young Pilgrams 2:47
05 Saint Simon 4:25
06 Fighting In A Sack 2:26
07 Pink Bullets 3:53
08 Turn A Square 3:11
09 Gone For Good 3:13
10 Those To Come 4:24

----------------
total time: 33:46



.. R I P P E R ' S N O T E S ..





O C T O B E R 21 THE SHINS Chutes Too Narrow

The Shins' debut full-length, 2001's Oh, Inverted World,
was a stunner; resoundingly well-received and landing itself
on numerous year-end best-of lists. MOJO placed it at #14 of
the year and commented, "This quartet from Albuquerque, New
Mexico captured our hearts this summer with their pristine
pop perfection." And, Seattle's The Stranger went even
further with, "...a referential, brilliant record which had
better blow up, or the world has forgotten what pop music is
all about." As far as we're concerned it did blow up - seems
there's still some hope for the world and its conception of
pop music. Since that first record,
singer/songwriter/guitarist James Mercer and drummer Jesse
Sandoval moved from Albuquerque to Portland, OR and bassist
Neal Langford was replaced with Dave Hernandez (ex-Scared Of
Chaka), who played bass on the stand-out track from the
first record, "New Slang." Chutes Too Narrow, their heavily
anticipated follow-up, was recorded in James' basement home
studio, with later mixing assistance from Phil Ek (Built to
Spill, Modest Mouse, David Cross, Les Savy Fav, etc.). And,
with 10 songs, clocking in at just over 30 minutes, the new
record is a brief yet entirely scintillating glimpse at
chiming, reflective and perfectly skewed pop innovation.

aAF rls was a re-encode and therefor nuked. Is Re-Encoding
Good ? Hmm ... No...

Enjoy !



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