Thursday, March 12, 2009

VA - The Complete Motown Singles, Vol. 11A: 1971 (2008)

Part: 1 : VA - The Complete Motown Singles, Vol. 11A: 1971 (2008)
Password: sharedmp3.net
VA - The Complete Motown Singles, Vol. 11A: 1971

Artist.....: VA
Title......: The Complete Motown Singles, Vol. 11A: 1971
Label......: Hip-o Select/Motown Records

Store Date.: Nov-18-2008
Genre......: Soul

Encoder....: Lame 3.97 / -V2 --vbr-new
Size.......: 404,7 MB


Track Listing:

cd1

01 - The Jackson 5 - Mama's Pearl 03:13
02 - The Jackson 5 - Darling Dear 02:39
03 - Joe Hinton - Let's All Save The [CENSORED]ren 03:47
04 - Joe Hinton - You Are Blue 02:32
05 - Brass Monkey - Sweet Water 02:52
06 - Brass Monkey - You Keep Me Hangin' On 03:47
07 - Chuck Jackson - Pet Names 02:54
08 - Chuck Jackson - Is There Anything Love Can't Do 03:06
09 - The Temptations - Just My Imagination 03:55
(Running Away With Me)
10 - The Temptations - You Make Your Own Heaven And 02:49
Hell Right Here On Earth
11 - R. Dean Taylor - Ain't It A Sad Thing 02:29
12 - R. Dean Taylor - Back Street 03:34
13 - Marvin Gaye - What's Going On 03:55
14 - Marvin Gaye - God Is Love 02:53
15 - The Undisputed Truth - Save My Love For A 03:55
Rainy Day
16 - The Undisputed Truth - Since I've Lost You 03:23
17 - Ken Christie & The Sunday People - Don't Pay 02:41
Me No Mind
18 - Ken Christie & The Sunday People - Listen To 04:11
Your Soul
19 - David Ruffin & Jimmy Ruffin - Each Day Is A 03:15
Lifetime
20 - David Ruffin & Jimmy Ruffin - Don't Stop 02:52
Lovin' Me
21 - Kiki Dee - Love Makes The World Go 'round 02:47
22 - Kiki Dee - Jimmy 03:22
23 - Kiki Dee - Love Makes The World Go 'round 02:48
(Alternate Mix)

cd2

01 - Stevie Wonder - We Can Work It Out 02:55
02 - Stevie Wonder - Never Dreamed You'd Leave In 02:54
Summer
03 - Smokey Robinson & The Miracles - I Don't Blame 03:08
You At All
04 - Smokey Robinson & The Miracles - That Girl 03:00
05 - Eddie Kendricks - This Used To Be The Home Of 05:58
Johnnie Mae
06 - Eddie Kendricks - It's So Hard For Me To Say 03:10
Goodbye
07 - Eddie Kendricks - This Used To Be The Home Of 03:54
Johnnie Mae (Long Promo Version)
08 - Sammy Davis Jr. - In My Own Lifetime 02:36
09 - Sammy Davis Jr. - I'll Begin Again 02:33
10 - Sammy Davis Jr. - In My Own Lifetime 02:37
(Stereo Promo Version)
11 - The Jackson 5 - Never Can Say Goodbye 03:03
12 - The Jackson 5 - She's Good 03:02
13 - R. Dean Taylor - Gotta See Jane 03:07
14 - R. Dean Taylor - Gotta See Jane 03:07
(Stereo Promo Version)
15 - Gordon Staples & The Motown Strings - Strung 02:46
Out
16 - Gordon Staples & The Motown Strings - Sounds 02:33
Of The Zodiac
17 - Gordon Staples & The Motown Strings - Strung 03:17
Out (Stereo Promo Version)
18 - Gordon Staples & The Motown Strings - Strung 02:59
Out (Long Promo Version)
19 - Edwin Starr - Funky Music Sho Nuff Turns Me On 03:09
20 - Edwin Starr - Cloud Nine 03:23
21 - David Ruffin & Jimmy Ruffin - When My Love 02:51
Hand Comes Down
22 - David Ruffin & Jimmy Ruffin - Steppin' On A 02:28
Dream
23 - Letta - I Won't Weep No More 02:46
24 - Letta - You Touched Me 03:43
25 - Stevie Wonder - Never Dreamed You'd Leave In 02:53
Summer (Stereo Promo Version)

cd3

01 - Diana Ross - Reach Out I'll Be There 04:07
02 - Diana Ross - (They Long To Be) Close To You 03:49
03 - Diana Ross - Reach Out I'll Be There 05:04
(Long Stereo Promo Version)
04 - Diana Ross - Reach Out I'll Be There 04:03
(Short Stereo Promo Version)
05 - A.P.J. - 02:25
(I've Given You) The Best Years Of My Life
06 - A.P.J. - It Takes A Man To Teach A Woman How 02:37
To Love
07 - Stoney And Meatloaf - What You See Is What You 02:21
Get
08 - Stoney And Meatloaf - Lady Be Mine 03:20
09 - Stoney And Meatloaf - What You See Is What You 02:22
Get (Stereo Promo Version)
10 - The Supremes - Nathan Jones 03:04
11 - The Supremes - Happy (Is A Bumpy Road) 03:08
12 - The Supremes - Nathan Jones 03:02
(Stereo Promo Version)
13 - Bobby Darin - Melodie 02:50
14 - Bobby Darin - Someday We'll Be Together 02:58
15 - The Impact Of Brass - Never Can Say Goodbye 02:44
16 - The Impact Of Brass - So Far, So Good 03:38
17 - The Impact Of Brass - Never Can Say Goodbye 02:49
(Stereo Promo Version)
18 - King Floyd - Heartaches 02:40
19 - King Floyd - Together We Can Do Anything 02:25
20 - Diana Ross & The Jackson 5 - Feelin' Alright 02:17
21 - Diana Ross & Bill Cosby - Love Story 03:18
22 - Gladys Knight & The Pips - I Don't Want To Do 03:23
Wrong
23 - Gladys Knight & The Pips - Is There A Place 03:32
(In His Heart For Me)
24 - Gladys Knight & The Pips - I Don't Want To Do 03:30
Wrong (Stereo Promo Version)

cd4

01 - The Supremes;four Tops - You Gotta Have Love 02:50
In Your Heart
02 - The Supremes;four Tops - I'm Glad About It 03:18
03 - The Supremes;four Tops - You Gotta Have Love 02:30
In Your Heart (Stereo Promo Version)
04 - The Undisputed Truth - Smiline Faces Sometimes 03:20
05 - The Undisputed Truth - You Got The Love I Need 03:04
06 - Ivy Jo - I'd Still Love You 03:21
07 - Ivy Jo - I Can Feel The Pain 02:45
08 - Ivy Jo - I'd Still Love You 03:19
(Stereo Promo Version)
09 - Four Tops - In These Changing Times 03:25
10 - Four Tops - Right Before My Eyes 03:09
11 - Diana Ross - Reach Out I'll Be There 04:03
(Stereo Promo Version)
12 - The Crusaders - Pass The Plate 02:44
13 - The Crusaders - Greasy Spoon 02:50
14 - The Crusaders - Pass The Plate 02:45
(Stereo Promo Version)
15 - Hugh Masekela & The Union Of South Africa - 02:42
Dyambo (Dee-Yambo) Weary Day Is Over
16 - Hugh Masekela & The Union Of South Africa - 04:04
Shebeen
17 - Hugh Masekela & The Union Of South Africa - 02:53
Dyambo (Dee-Yambo) Weary Day Is Over (Stereo Pro
18 - Arthur Adams - Uncle Tom 03:58
19 - Arthur Adams - Mornin' Train 02:46
20 - The Stylists - What Is Love 03:31
21 - The Stylists - Where Did The [CENSORED]ren Go 03:38
22 - Smokey Robinson & The Miracles - Crazy About 02:54
The La La La
23 - Smokey Robinson & The Miracles - Oh, Baby Baby 02:36
I Love You
24 - Smokey Robinson & The Miracles - Crazy About 02:57
The La La La (Stereo Promo Version)

cd5

01 - Marvin Gaye - Mercy Mercy Me (The Ecology) 02:31
02 - Marvin Gaye - Sad Tomorrows 02:24
03 - Marvin Gaye - Mercy Mercy Me (The Ecology) 02:31
(Stereo Promo Version)
04 - Hearts Of Stone - If I Could Give You The World 03:05
05 - Hearts Of Stone - You Gotta Sacrifice 02:46
(We Gotta Sacrifice)
06 - Hearts Of Stone - If I Could Give You The 03:05
World (Stereo Promo Version)
07 - Ken Christie & The Sunday People - The 02:41
Reverend John B. Daniels
08 - Ken Christie & The Sunday People - Jesus Is 02:52
The Key
09 - Ken Christie & The Sunday People - The 03:02
Reverend John B. Daniels (Stereo Promo Version)
10 - R. Dean Taylor - Candy Apple Red 03:37
11 - R. Dean Taylor - Woman Alive 02:37
12 - R. Dean Taylor - Candy Apple Red 03:35
(Stereo Promo Version)
13 - Rare Earth - I Just Want To Celebrate 02:53
14 - Rare Earth - The Seed 03:29
15 - Rare Earth - I Just Want To Celebrate 02:55
(Stereo Promo Version)
16 - The Jackson 5 - Maybe Tomorrow 04:34
17 - The Jackson 5 - I Will Find A Way 03:01
18 - The Jackson 5 - Maybe Tomorrow 04:34
(Stereo Promo Version)
19 - Tom Clay - What The World Needs Nowabraham, 06:21
Martin And John
20 - Tom Clay - The Victors 04:35
21 - Tom Clay - What The World Needs Nowabraham, 05:25
Martin And John (Short Promo Version)
22 - The Temptations - It's Summer 02:53
23 - The Temptations - I'm The Exception To The Rule 03:25

ÄÄÄÄÄ
cd1: 73:39 cd2: 77:52 cd3: 75:26 cd4: 75:22 cd5: 78:51
Release Notes:

http://www.cduniverse.com/productinfo.asp?pid=7787353

Berry Gordy moved Motown from Detroit to Los Angeles at the end of
1968 but, like an earthquake, not all of the aftershocks were felt
after the initial shift. It took a while for all the dust to
settle, for Motown to start feeling like it belonged to Hollywood
instead of the Motor City, for the label to get to the point where
the showbiz began to eclipse the soul, and that year was 1971.
That year, Gordy slowly started to recede from the day-to-day
operations of the label, choosing to pursue interests in film and
television, but Motown hardly shut down in his absence: they
churned out more 45s than ever, releasing so many singles in the
course of a single year that when it came time for Hip-O Select to
cover 1971 in their comprehensive The Complete Motown Singles
series, they had to split the year into two multi-disc box sets.
This, Vol. 11A, covers the first six months of 1971, six months
that had enough activity for a year -- a full six discs of
material, to be precise. The entirety of Motown's 1970 singles
output fit onto a six-disc set for Vol. 10, so it stands to reason
that 1971 either was an embarrassment of riches or found the label
stretching itself a little thin.

The Complete Motown Singles, Vol. 11A: 1971 proves the latter to
be true, containing moments of blinding genius surrounded by
cinematic schmaltz and funky filler. Genius is none too strong a
word for the best music Motown produced in the first half of 1971,
especially the album that defined the year for the label and much
of pop music in general, Marvin Gaye's What's Going On. This was
the first Motown LP to be an artist-driven concept album, a
seismic shift within the label that is just as palpable when it's
sampled here by its two hit singles, "What's Going On" and "Mercy
Mercy Me (The Ecology)," as they sit respectively next to R. Dean
Taylor's AM pop and Hearts of Stone's bubblegum soul, two pieces
of agreeable fluff that have more to do with the label at large
than Marvin's two masterworks. Gaye was hardly the only artist
working at a peak during these six months: Stevie Wonder began to
enter his mature phase, rearranging the Beatles' "We Can Work It
Out," which was backed with the extraordinary "Never Dreamed You'd
Leave in Summer"; Smokey Robinson had the great "I Don't Blame You
at All"; the Jackson 5 had "Never Can Say Goodbye" and "Mama's
Pearl"; Gladys Knight & the Pips had the slow-burner "I Don't Want
to Do Wrong"; the Temptations hit a high watermark with "Just My
Imagination (Running Away with Me)" while David Ruffin had a few
great singles that didn't quite take off; Rare Earth's "I Just
Want to Celebrate" was the peak of Motown's hippie rock; and the
Undisputed Truth's "Smiling Faces Sometimes" proved that it wasn't
just Motown's legacy acts that were turning out great music.

Nevertheless, it's those Marvin Gaye singles that point out the
gap between what Motown's artists were capable of achieving and
the product that the label was cranking out. Blinded by the stars
of Tinsel Town, the label signed up Sammy Davis, Jr. to cut a
single of show tunes, granted Bobby Darin the permission to
indulge in his soulman fantasies, and had Bill Cosby mug with
Diana Ross on Randy Newman's "Love Story" for Ross' TV variety
show -- and this splashy, schmaltzy sound isn't just heard here,
but throughout the lesser-known sides. Often, these justly
neglected 45s don't sound like singles buried in the back of some
dusty record store but rather incidental soundtrack music for a
forgotten television show. There are naturally exceptions to the
rule -- the great Chuck Jackson gamely struggles with the novelty
"Pet Names," Eddie Kendricks' melodramatic "This Used to Be the
Home of Johnnie Mae" has some symphonic force, Stoney & Meatloaf's
"What You See Is What You Get" is a terrific hippie blues-rock
number, and Arthur Adams' scrapped slow blues "Uncle Tom" has a
terrific flip, the insistent dance number "Morning Train" -- but
for the most part the lesser-known singles here are cornball
cultural artifacts, interesting for collectors and soul fanatics,
but they pale too easily next to the unadulterated brilliance of
the best music here.

Wednesday, March 11, 2009

Cher - 3614 jackson highway Elton john - 1971 friends ost

Part: 1 : Cher - 3614 jackson highway
Cher - 3614 Jackson Highway Pop/Dance | MP3 320Kbps, 44.1Khz | 1969/1970 | 200mb | RS,ES,FBase 3614 Jackson Highway was released in the summer of 1969, was the first and last for Kapp, and was produced by Jerry Wexler, Tom Dowd and Arif Mardin. This disc is certainly his most ambitious project (at least for the 60's) and was designed to bring Cher summit, after a period of crisis because 1968-1970 wasn't really a good period for Sonny & Cher and for Cher as a solo artist. The worldwide pop-culture was moving on, but Sonny & Cher kind of stayed in their original image and style. The pop-music was transformating into anti-war songs, against the war in Vietnam. Cher's and Sonny & Cher's music couldn't really fit in that. So their records wouldn't really sell anymore. For months they had a nightclub act, but the audience didn't pay attention.
Part: 2 : Elton john - 1971 friends ost
Elton John - 1971 Friends OST | 1971 | mp3 | 160 Kbps, Stereo | 37:15 | 44.6 Mb Genre: Soundtrack Music, Rock Pop music, unlike most productions nowadays, is used tastefully and sometimes the lyrics speak the thoughts of the protagonists. Elton John at one of his best.

Linda thompson - solo discography (most of it) Animal Collective - Merriweather Post Pavillon (2009)

Part: 1 : Linda thompson - solo discography (most of it)
Linda Thompson - Discography Yes, yes, Richard Thompson is a musical genius and one of the best songwriters of the entire folk-rock genre and a guitarist of (justifiably) legendary abilities, but what initially drew me to his work was the vocals of his former wife, the incomparable Linda Thompson. This is an almost complete discography of her solo releases. If anyone has a copy of her 1985 album, One Clear Moment (especially the Rhino remastered edition, with a plethora of bonus tracks), please please please post it. I have it on vinyl--but no way to mp3 it. From allmusic: Born Linda Pettifer, Linda Thompson, then known as Linda Peters, made an inauspicious debut as half of Paul & Linda in 1968. The duo, which included singer Paul McNeill, recorded two singles, the first being a cover of Bob Dylan's "You Ain't Goin' Nowhere" for MGM in the U.K. In 1972, following a couple of years of session work, singing commercial jingles, and working the folk clubs around Lon! don, she teamed with friend Sandy Denny and other assorted members of the British folk-rock scene to record Rock On, a collection of early rock & roll favorites, under the name of the Bunch. She was featured on the King-Goffin classic "The Loco-Motion" and a beautiful duet with Denny on Phil Everly's "When Will I Be Loved." Peters met Fairport Convention guitarist and songwriter Richard Thompson in 1969, but did not work with him until 1972 when they performed together on the Rock On record and later that year on Richard's solo debut, Henry the Human Fly. That same year, Richard and Linda were married, and in 1974, with the now classic I Want to See the Bright Lights Tonight, began a musical partnership that would span nearly ten years and six critically acclaimed, yet commercially unsuccessful, albums. During this time Linda would also make her mark as one of the finest female voices in pop music. The Thompsons' musical, as well as personal, relationship came t! o an end just as they were gaining some long overdue notoriety! , especi ally in the U.S., with their brilliant and moving 1982 release Shoot Out the Lights. The record, recorded on a shoestring budget for tiny Hannibal Records, has been widely heralded as one of the true masterpieces of the rock & roll era and garnered Linda Thompson honors as Female Vocalist of the Year in many year-end critics polls. 1982 also saw the couple embark on their first and only U.S. tour. Following the breakup, Linda performed in the English theater, touring with The Mysteries and appearing in the National Theatre's production of Don Quixote, before signing with Warner Bros. Records in 1985. The subsequent record, One Clear Moment, produced by Hugh Murphy (Gerry Rafferty), turned out to be her only post-Richard album. Hysterical dysphonia, a psychological inability to produce speech sounds which had plagued Thompson on and off throughout her career, eventually ended it. A project for CBS in the late '80s was aborted because of her vocal difficulties, althoug! h one track from those sessions, a reworking of Richard and Linda's classic "Dimming of the Day," eventually surfaced on the 1996 compilation Dreams Fly Away. Thompson, having retired from music and running an antique jewelry shop in London, had some success as a songwriter, mostly in collaboration with Betsy Cook. Their "Telling Me Lies," recorded for the Trio LP by Dolly Parton, Linda Ronstadt, and Emmylou Harris, earned the pair a Grammy nomination for 1987's Country Song of the Year, with Thompson and Cook performing it on the broadcast. Thompson resurfaced in 2002 with Fashionably Late, her first new record in 17 years, on Rounder Records. A second Rounder release, Versatile Heart, appeared in 2007. Linda Thompson - Tudor Lodge Demos (1972) Shortly before marrying Richard Thompson, Linda (then known as Linda Peters) joined the progressive folk rock group Tudor Lodge for a series of demos. And here they are, highlighted by a lovely cover of Carole King's "It! 's Going to Take Some Time." Taken from the Tudor Lodge cd! , "It Al l Comes Back." TRACKS 01 Morocco 02 It's Going to Take Some Time 03 Look at Me Quality - 320 kbs Password - highqualitymp3 Code:Linda Thompson - Dreams Fly Away From allmusic: Dreams Fly Away, a retrospective of the career of Linda Thompson, is a terrific introduction to one of the great female voices in popular music. With a healthy dose of rare and unreleased tracks, along with previously available material from her career with Richard Thompson and solo, this is a must for fans and novices alike. The unreleased gems include a haunting, live "The Great Valerio," what may be the definitive version of Sandy Denny's "I'm a Dreamer" from the Gerry Rafferty-produced Shoot Out the Lights sessions, and "Pavanne," recorded live in Hamburg, Germany. TRACKS 01 Lonely Hearts 02 Walking on the Wire [Alternative Take] 03 I Live Not Where I Love 04 Sometimes It Happens 05 For Shame of Doing Wrong 06 Talking Like a Man [Remixed B Side] 07 Sisters 08 Shay Fan Yan Ley 09 One Clear M! oment [Remix] 10 First Light [Demo] 11 Pavanne [Live] 12 Many Dreams Must Fly Away 13 I Want to See the Bright Lights Tonight 14 The Great Valerio [Live] 15 Insult to Injury 16 The Poor Boy Is Taken Away 17 Blackwaterside 18 Telling Me Lies 19 I'm a Dreamer [From the Rafferty Sessions] 20 Dimming of the Day [New Version, Previously Unreleased] Quality - 320 kbs Password - highqualitymp3 Code:Linda Thompson - Give Me a Sad Song (2001) From allmusic: A follow-up to Dreams Fly Away, Give Me a Sad Song is a compilation of rarities and previously unreleased material spanning the years 1970-1986. As its title suggests, it is a melting pot of grievous tales whose poignancies are revealed by Thompson's ever-emotive vocals. Of particular note is a chilling performance of Leonard Cohen's "Story of Isaac," taken from a pre-Richard 1970 session with Martin Carthy on guitar. Five tracks are taken from this set of demos for Tangent records and also include David Ackles' mourn! ful "Down River" and a sparse version of Lennon/McCartney'! s "Get B ack." Ironically, some of the album's best tracks are mid-'80s collaborations between Thompson and Betsy Cook, when Thompson's career had fallen into relative obscurity. As is typical of the period, too-glossy production values tend to mar the songs' elegance and simplicity. The album finishes with a sublime rendition of John Prine's "Aimless Love." TRACKS 01 Story of Isaac 02 Down River 03 Fire and Rain 04 From a City Balcony 05 Get Back 06 Sometimes It Happens 07 Embroidered Butterflies 08 After Frost 09 You Missed the Sunflowers at Their Height 10 Restless Boy 11 The World Is a Wonderful Place 12 Abandoned 13 Hell, High Water and Heartache 14 Her Father Was a Sailor 15 When I Mention Love 16 Give Me a Sad Song 17 Aimless Love Quality - 320 kbs Password - highqualitymp3 Code: Linda Thompson - Fashionably Late (2001) From allmusic: Linda Thompson's first recording in 17 years is a stunning brace of poetics and grace. For a woman who literally lost her vo! ice for more than a decade due to a stress disorder, Thompson reveals that she is at full strength as a vocalist, and perhaps more importantly, with this recording she clearly establishes herself as a songwriter as well....This is a comeback record to be proud of; it not only sates the appetite of those fans who felt Linda Thompson left the scene too abruptly, but it is also the British folk record that everyone interested in the genre has been waiting such a long time for. NB: The first track, Dear Mary, features Richard Thompson (and her ren Teddy and Kamila), on their first recording together since 1982. TRACKS 01 Dear Mary 02 Miss Murray 03 All I See 04 Nine Stone Rig 05 No Telling 06 Evona Darling 07 The Banks of the Clyde 08 Weary Life 09 Paint and Powder Beauty 10 Dear Old Man of Mine Quality - 320 kbs Password - highqualitymp3 Code: Linda Thompson - Versatile Heart (2007) From allmusic: Thompson's heart may be versatile, but her forte is her ability to imbue songs ! of remorse, loss, and frustrated desire with a soulful beauty ! and an i mplied state of grace. Every album is deeper, more sensitive, and more inspiring than the last -- and this one is no exception. TRACKS 01 Stay Bright 02 Versatile Heart 03 The Way I Love You 04 Beauty 05 Katy Cruel 06 Nice Cars 07 Do Your Best for Rock 'n Roll 08 Day After Tomorrow 09 Blue & Gold 10 Give Me a Sad Song 11 Go Home 12 Whisky, Bob Cooper and Me 13 Stay Bright Quality - 320 kbs Password - highqualitymp3 Code:
Part: 2 : Animal Collective - Merriweather Post Pavillon (2009)
Password: sharedmp3.net
ARTiST: Animal Collective
ALBUM: Merriweather Post Pavillon
BiTRATE: 202kbps avg
QUALiTY: EAC Secure Mode / LAME 3.97 Final / -V2 --vbr-new / 44.100Khz
LABEL: Domino
GENRE: Indie
SiZE: 83.21 megs
PLAYTiME: 0h 54min 42sec total
RiP DATE: 2009-01-09
STORE DATE: 2009-01-09

Track List:
--------
01. In The Flowers 5:22
02. My Girls 5:40
03. Also Frightened 5:14
04. Summertime Clothes 4:30
05. Daily Routine 5:46
06. Bluish 5:13
07. Guy's Eyes 4:30
08. Taste 3:53
09. Lion In A Coma 4:12
10. No More Runnin' 4:23
11. Brother Sport 5:59

Release Notes:
--------


With their constantly evolving sonic identity, in-your-face vocal mannerisms,
and open-ended ideas about what their music might "mean," Animal Collective seem
designed to inspire obsessive fans and vociferous detractors in equal measure.
Merriweather Post Pavilion, their latest full-length, has been anticipated to an
almost ridiculous degree, with blogs and message boards lighting up with each
scrap of new information or word of a possible leak. No one who's been looking
forward to it should be disappointed. Everything that's defined the band to this
point-- all those strands winding through their hugely diverse [CENSORED]-- is
refined and amplified here.

Since their inception, Animal Collective have wandered the territorial edges of
music, scoping out where boundaries had been erected and looking beyond them.
They've punctuated perfectly likeable indie rock songs with bleating
vocalizations. They've seeded pretty instrumentals with irritating noise.
They've juxtaposed West African rhythms and melodies cribbed from British folk.
They've stayed on a single chord for 10 minutes. But Merriweather feels like a
joyous meeting in a well-earned, middle place-- the result of all their
explorations pieced together to create something accessible and complete.

Although it will be tagged as Animal Collective's "pop" album, Merriweather Post
Pavilion remains drenched in their idiosyncratic sound, a record that no one
else could have made. The album is named for a Maryland venue that last year
played host to Santana, Sheryl Crow, and John Mayer, but its songs won't be
heard on the radio, and besides, Animal Collective's M.O. requires them to exist
outside of rigid formats. Nonetheless, they've found a natural way to integrate
the sing-along melodies, sticky hooks, and driving percussion that have long
been hallmarks of celebratory popular music.

Animal Collective's two vocalists, Dave Portner (aka Avey Tare) and Noah Lennox
(aka Panda Bear), have never sounded better together, and the way their styles
complement each other is the story of the album. On the one hand you have
Panda's straightforward melodies, his fuzzy, head-in-the-clouds dreaminess, and
his instinctual trawl through pop music history. The tracks that favor his
songwriting typically have an underlying sense of drone, with everything moving
forward along a line in relation to some subliminal center: They begin, then
build, expand, and contract. Tare, meanwhile, tends to work within a more
classic pop structure, with clear bridges and snappy choruses, greater harmonic
development, and a sharper lyrical focus. Here, he reins in the blurting
vocalizations that he's so often used as punctuation (the hardcore faithful
might miss this unhinged emoting just a little). Both songwriters are on exactly
the same page and, working with sonic spelunker Brian "Geologist" Weitz and
producer Ben Allen (no Josh "Deakin" Dibb this time), they've found a sumptuous
musical background for their most accomplished songs.

Merriweather is the kind of album on which any song could be someone's favorite,
but two will likely reign as the choice picks: "My Girls" and "Brother Sport",
both of which leaked prior to the record's release, contain the album's most
effervescent moments, drawing from the communal energy of the group's
astonishing live show. "My Girls" grows from a synth-speckled, half-speed intro
into a booming electro-pop burner with handclaps and deep bass-- a towering
edifice of sound trailed by long wisps of West coast harmonies. The
Afro-Brazilian-flavored "Brother Sport" moves from one chanted melodic nugget to
the next before building to a huge swirl of psychedelic sound that encompasses
rave sirens and immersive tribal drums.

But these obvious peaks would have less resonance if not for the more subtle
moments. The oblong architecture of "Daily Routine" hearkens back to the band's
less stable earlier days, as it moves appealingly from an awkward organ-based
mid-tempo number to a long, droney coda that has the ego-pulverizing bliss of
shoegaze. The surging thrust of distortion and drumkick that propels "Summertime
Clothes" starts with an almost militaristic pomp, but the song soon reaches a
place of pure sweetness with a simple chorus hook ("I want to walk around with
you") that could have come from any point in the last 100 years. Similarly
out-of-time sentiments mark "Bluish"-- lines like "I'm getting lost in your
curls," or, "Some kind of magic in the way you're lying there"-- and the music
has the airy ease of 1970s soft-rock that weirdly winds up a little
disconcerting. And then "Also Frightened" has the dislocated swoon of first-wave
psychedelia, a "See Emily Play"-style mediation on the small insanity of
[CENSORED]hood softened with billowing layers of voices.

The lyrics focus on the body, basic human connection, the need to take care of
oneself, the puzzle of existence. Where the churning electronic sound, with its
fizzes and echoes and underwater cast, brings to mind altered states and the
confusing gap between the familiar and the strange, the words seem like a
running commentary on the essential mystery of being alive. Animal Collective
don't tell stories, and their music rarely has characters; there's little clever
wordplay and fewer money lines you'll repeat later on. Rather, the words
reinforce the sense of vulnerability that cuts through the music, and wind up
being an essential component on an album that oozes confidence from every pore.

Music obsessives talk a lot about originality-- whether it's important, or why
having a new sound should or shouldn't matter. In recent years, some fantastic
albums have turned a number of people off for being retreads, which has sparked
some interesting discussions. This album, which finds Animal Collective
completely owning their unique sound, feels like the crucial next step in that
conversation. What they've constructed here is a new kind of electronic pop--
one which is machine-generated and revels in technology but is also deeply
human, never drawing too much attention to its digital nature. It's of the
moment and feels new, but it's also striking in its immediacy and comes across
as friendly and welcoming. Animal Collective have spent the decade following
their own path, figuring out what their music is capable of while also working
to bring more listeners into their world. On Merriweather Post Pavilion, their
commitment has paid off tremendously.

Tuesday, March 10, 2009

Natasha Bedingfield - Pocketful of Sunshine (2008) (Deluxe Edition) Girls aloud - the loving kind music video

Part: 1 : Natasha Bedingfield - Pocketful of Sunshine (2008) (Deluxe Edition)
Password: sharedmp3.net
Natasha Bedingfield - Pocketful Of Sunshine (Deluxe Edition)

Artist.....: Natasha Bedingfield
Title......: Pocketful Of Sunshine (Deluxe Edition)
Label......: Sony

Store Date.: 000-00-0000
Genre......: Pop

Encoder....: Lame 3.97 / -V2 --vbr-new
Size.......: 92.8 MB


Track Listing:

01 - Put Your Arms Around Me 03:43
02 - Pocketful Of Sunshine 03:05
03 - Happy 03:40
04 - Love Like This (Feat. Sean Kingston) 03:42
05 - Piece Of Your Heart 03:47
06 - Soulmate 03:34
07 - Say It Again 03:32
08 - Angel 03:54
09 - Backyard 03:28
10 - Freckles 03:46
11 - Who Knows 03:47
12 - Pirate Bones 03:52
13 - Not Givin' Up 03:48
14 - Unwritten (Johnny Vicious Mix) 03:25
15 - The One That Got Away (Valentin Mix) 03:45
16 - Love Like This (Johnny Vicious Mix) 03:49
17 - Pocketful Of Sunshine (Stonebridge Mix) 03:33
18 - Angel (Moto Blanco Edit) 04:38

ÄÄÄÄÄ
66:48 min
Release Notes:

this chick LOVES anal...
thanks C4 for the orig

www.natashabedingfield.com

On Pocketful of Sunshine, Natasha Bedingfield sounds like Joss
Stone only bouncier. Nothing wrong with that. In fact, the
brightness and buoyancy of this record will keep it spinning long
after CDs that shoot for hipster credibility--with funked-up bells
and fancy production whistles--have been deposited back into their
jewel cases for all eternity. Check it out: "Love Like This," with
Sean Kingston, puts its hands in the air for puppy love--the kind
that'll bring you back to your "middle school kiss"--and a couple
of other songs follow the youth-themed suit. "Backyard"
time-travels to an idyllic [CENSORED]hood, while "Freckles" fleshes
out, for the benefit of the insecure, the beauty in imperfections.
Elsewhere, Bedingfield is her indomitably upbeat self. Opener "Put
Your Arms Around Me" reeks of reassurance and tenderness. "Happy"
implores would-be gloom-and-doomers to snap out of it, and while
the title track doesn't wander all that far lyrically, it benefits
from a chanted verse brimmed in (positive) attitude. The vibe,
overall, is beach-blanket warm and blue-sky ready. Sunshine earns
a pocketful, if not more, of pop-music props.


Part: 2 : Girls aloud - the loving kind music video
Girls Aloud - The Loving Kind Music Video Pop, Dance | XVID AVI @1000x546, 25fps, 23kbps | Audio @44Khz, 320Kbps | 2008 | 84mb @RS.COM & Fbase.to The music video was directed by Trudy Bellinger. In the video, "the girls appear to be duplicated as they perform against a backdrop of multiple mirrors". The boxes are either coloured black, red, or white. The girls portray the "good" Girls Aloud, who are the lovable kind, and their "bad" alter egos, who are not. The bad Girls Aloud throw wine and smash the glass that covers their boxes. Pop music blog PopJustice noted that "twenty singles in, Girls Aloud have made their best video yet".

Natalie - Natalie (2005) Animal Collective - Merriweather Post Pavilion (2009)

Part: 1 : Natalie - Natalie (2005)
Password: sharedmp3.net
ARTIST: Natalie
TITLE: Natalie
LABEL: Latium/Universal Records
GENRE: R&B
BITRATE: 201kbps avg
PLAYTIME: 0h 49min total
RELEASE DATE: 17 May 2005
RIP DATE: 30 Apr 2005

01. Goin' Crazy 4:54
02. Energy (Feat. Baby Bash) 3:30
03. Better Get It Right (Feat. Max 3:38
Minelli)
04. Ooh 4:39
05. You Don't Love Me No More 3:21
06. I Can't Wait 3:19
07. Stay 4:10
08. Something About You (Feat. 3:50
Russell Lee)
09. You're The One 4:36
10. Emptiness 4:16
11. Where Are You (With Justin 4:05
Roman)
12. Me Faltas Tu 4:53

Release Notes:

Former Houston Rockets dancer, Natalie, couldn't have choreographed a better
opening number onto the pop music scene.
Her single, "Goin' Crazy," has struck a deep chord with listeners. The sultry,
heartfelt ballad is currently blowing up phone lines across the country as one
of the top 10 most requested songs on the radio and one of the fastest chart
climbers on I-Tunes. Inspired by a past relationship, the Texas native penned
the track in just 15 minutes. The single hits the stores March 15th while her
debut album drops this May on Latium/Universal Records.

"I'm literally in the studio everyday, breathing, sleeping and eating music,"
says the twenty-something Latina. She was poised to pursue a more traditional
career with her degree in criminal justice but a chance audition with the
Houston Rockets changed her life. She landed onto the local music scene where
she danced for Houston artists and perfected her flow as a lyricist. While
creating mix tapes she realized a strong passion for not only music, but for
writing as well.

Fate stepped in a second time when she was rapping at a club. Charles Chavez,
president of Latium Entertainment spotted her and the rest is history. Latium
Entertainment is the management company to Frankie J., Baby Bash, Chamillionaire
and Play N' Skillz. Producers Happy Perez (Jadakiss, Mystikal, Master P) and
Play N' Skillz (Ludacris, Scarface, UGK, Krayzie Bone)are lending their platinum
touch to her album.

"I'm working with various producers in Houston and want people to recognize all
the musical talent we have here," explains the songstress. Influenced by the
likes of Jadakiss, Gwen Stefani, Usher, Beyonce' and Aaliyah, Natalie possesses
versatility like many of the musicians who have inspired her. "I want to be a
great entertainer," she says. "I love making all kinds of music from ballads, to
dance tracks and club tracks, all of these styles are going to be on my album."

It's no secret that Natalie is one to watch in the entertainment industry. Fans
can see her action on the upcoming Latium Entertainment tour with Frankie J.,
Baby Bash and many more.


Part: 2 : Animal Collective - Merriweather Post Pavilion (2009)
Password: sharedmp3.net
ARTiST: Animal Collective
ALBUM: Merriweather Post Pavillon
BiTRATE: 202kbps avg
QUALiTY: EAC Secure Mode / LAME 3.97 Final / -V2 --vbr-new / 44.100Khz
LABEL: Domino
GENRE: Indie
SiZE: 83.21 megs
PLAYTiME: 0h 54min 42sec total
RiP DATE: 2009-01-09
STORE DATE: 2009-01-09

Track List:
--------
01. In The Flowers 5:22
02. My Girls 5:40
03. Also Frightened 5:14
04. Summertime Clothes 4:30
05. Daily Routine 5:46
06. Bluish 5:13
07. Guy's Eyes 4:30
08. Taste 3:53
09. Lion In A Coma 4:12
10. No More Runnin' 4:23
11. Brother Sport 5:59

Release Notes:
--------


With their constantly evolving sonic identity, in-your-face vocal mannerisms,
and open-ended ideas about what their music might "mean," Animal Collective seem
designed to inspire obsessive fans and vociferous detractors in equal measure.
Merriweather Post Pavilion, their latest full-length, has been anticipated to an
almost ridiculous degree, with blogs and message boards lighting up with each
scrap of new information or word of a possible leak. No one who's been looking
forward to it should be disappointed. Everything that's defined the band to this
point-- all those strands winding through their hugely diverse [CENSORED]-- is
refined and amplified here.

Since their inception, Animal Collective have wandered the territorial edges of
music, scoping out where boundaries had been erected and looking beyond them.
They've punctuated perfectly likeable indie rock songs with bleating
vocalizations. They've seeded pretty instrumentals with irritating noise.
They've juxtaposed West African rhythms and melodies cribbed from British folk.
They've stayed on a single chord for 10 minutes. But Merriweather feels like a
joyous meeting in a well-earned, middle place-- the result of all their
explorations pieced together to create something accessible and complete.

Although it will be tagged as Animal Collective's "pop" album, Merriweather Post
Pavilion remains drenched in their idiosyncratic sound, a record that no one
else could have made. The album is named for a Maryland venue that last year
played host to Santana, Sheryl Crow, and John Mayer, but its songs won't be
heard on the radio, and besides, Animal Collective's M.O. requires them to exist
outside of rigid formats. Nonetheless, they've found a natural way to integrate
the sing-along melodies, sticky hooks, and driving percussion that have long
been hallmarks of celebratory popular music.

Animal Collective's two vocalists, Dave Portner (aka Avey Tare) and Noah Lennox
(aka Panda Bear), have never sounded better together, and the way their styles
complement each other is the story of the album. On the one hand you have
Panda's straightforward melodies, his fuzzy, head-in-the-clouds dreaminess, and
his instinctual trawl through pop music history. The tracks that favor his
songwriting typically have an underlying sense of drone, with everything moving
forward along a line in relation to some subliminal center: They begin, then
build, expand, and contract. Tare, meanwhile, tends to work within a more
classic pop structure, with clear bridges and snappy choruses, greater harmonic
development, and a sharper lyrical focus. Here, he reins in the blurting
vocalizations that he's so often used as punctuation (the hardcore faithful
might miss this unhinged emoting just a little). Both songwriters are on exactly
the same page and, working with sonic spelunker Brian "Geologist" Weitz and
producer Ben Allen (no Josh "Deakin" Dibb this time), they've found a sumptuous
musical background for their most accomplished songs.

Merriweather is the kind of album on which any song could be someone's favorite,
but two will likely reign as the choice picks: "My Girls" and "Brother Sport",
both of which leaked prior to the record's release, contain the album's most
effervescent moments, drawing from the communal energy of the group's
astonishing live show. "My Girls" grows from a synth-speckled, half-speed intro
into a booming electro-pop burner with handclaps and deep bass-- a towering
edifice of sound trailed by long wisps of West coast harmonies. The
Afro-Brazilian-flavored "Brother Sport" moves from one chanted melodic nugget to
the next before building to a huge swirl of psychedelic sound that encompasses
rave sirens and immersive tribal drums.

But these obvious peaks would have less resonance if not for the more subtle
moments. The oblong architecture of "Daily Routine" hearkens back to the band's
less stable earlier days, as it moves appealingly from an awkward organ-based
mid-tempo number to a long, droney coda that has the ego-pulverizing bliss of
shoegaze. The surging thrust of distortion and drumkick that propels "Summertime
Clothes" starts with an almost militaristic pomp, but the song soon reaches a
place of pure sweetness with a simple chorus hook ("I want to walk around with
you") that could have come from any point in the last 100 years. Similarly
out-of-time sentiments mark "Bluish"-- lines like "I'm getting lost in your
curls," or, "Some kind of magic in the way you're lying there"-- and the music
has the airy ease of 1970s soft-rock that weirdly winds up a little
disconcerting. And then "Also Frightened" has the dislocated swoon of first-wave
psychedelia, a "See Emily Play"-style mediation on the small insanity of
[CENSORED]hood softened with billowing layers of voices.

The lyrics focus on the body, basic human connection, the need to take care of
oneself, the puzzle of existence. Where the churning electronic sound, with its
fizzes and echoes and underwater cast, brings to mind altered states and the
confusing gap between the familiar and the strange, the words seem like a
running commentary on the essential mystery of being alive. Animal Collective
don't tell stories, and their music rarely has characters; there's little clever
wordplay and fewer money lines you'll repeat later on. Rather, the words
reinforce the sense of vulnerability that cuts through the music, and wind up
being an essential component on an album that oozes confidence from every pore.

Music obsessives talk a lot about originality-- whether it's important, or why
having a new sound should or shouldn't matter. In recent years, some fantastic
albums have turned a number of people off for being retreads, which has sparked
some interesting discussions. This album, which finds Animal Collective
completely owning their unique sound, feels like the crucial next step in that
conversation. What they've constructed here is a new kind of electronic pop--
one which is machine-generated and revels in technology but is also deeply
human, never drawing too much attention to its digital nature. It's of the
moment and feels new, but it's also striking in its immediacy and comes across
as friendly and welcoming. Animal Collective have spent the decade following
their own path, figuring out what their music is capable of while also working
to bring more listeners into their world. On Merriweather Post Pavilion, their
commitment has paid off tremendously.

Monday, March 9, 2009

VA - The Very Best Of Pop Music 1963-64 (1997) (2 CD) VA - The Very Best Of Pop Music 1964-65 (1997) (2 CD)

Part: 1 : VA - The Very Best Of Pop Music 1963-64 (1997) (2 CD)
Password: sharedmp3.net

Part: 2 : VA - The Very Best Of Pop Music 1964-65 (1997) (2 CD)
Password: sharedmp3.net

VA - The Complete Motown Singles Vol. 11A: 1971 (2008) (5 CD) Jewel - Goodbye Alice in Wonderland (2006)

Part: 1 : VA - The Complete Motown Singles Vol. 11A: 1971 (2008) (5 CD)
Password: sharedmp3.net
VA - The Complete Motown Singles, Vol. 11A: 1971

Artist.....: VA
Title......: The Complete Motown Singles, Vol. 11A: 1971
Label......: Hip-o Select/Motown Records

Store Date.: Nov-18-2008
Genre......: Soul

Encoder....: Lame 3.97 / -V2 --vbr-new
Size.......: 404,7 MB


Track Listing:

cd1

01 - The Jackson 5 - Mama's Pearl 03:13
02 - The Jackson 5 - Darling Dear 02:39
03 - Joe Hinton - Let's All Save The [CENSORED]ren 03:47
04 - Joe Hinton - You Are Blue 02:32
05 - Brass Monkey - Sweet Water 02:52
06 - Brass Monkey - You Keep Me Hangin' On 03:47
07 - Chuck Jackson - Pet Names 02:54
08 - Chuck Jackson - Is There Anything Love Can't Do 03:06
09 - The Temptations - Just My Imagination 03:55
(Running Away With Me)
10 - The Temptations - You Make Your Own Heaven And 02:49
Hell Right Here On Earth
11 - R. Dean Taylor - Ain't It A Sad Thing 02:29
12 - R. Dean Taylor - Back Street 03:34
13 - Marvin Gaye - What's Going On 03:55
14 - Marvin Gaye - God Is Love 02:53
15 - The Undisputed Truth - Save My Love For A 03:55
Rainy Day
16 - The Undisputed Truth - Since I've Lost You 03:23
17 - Ken Christie & The Sunday People - Don't Pay 02:41
Me No Mind
18 - Ken Christie & The Sunday People - Listen To 04:11
Your Soul
19 - David Ruffin & Jimmy Ruffin - Each Day Is A 03:15
Lifetime
20 - David Ruffin & Jimmy Ruffin - Don't Stop 02:52
Lovin' Me
21 - Kiki Dee - Love Makes The World Go 'round 02:47
22 - Kiki Dee - Jimmy 03:22
23 - Kiki Dee - Love Makes The World Go 'round 02:48
(Alternate Mix)

cd2

01 - Stevie Wonder - We Can Work It Out 02:55
02 - Stevie Wonder - Never Dreamed You'd Leave In 02:54
Summer
03 - Smokey Robinson & The Miracles - I Don't Blame 03:08
You At All
04 - Smokey Robinson & The Miracles - That Girl 03:00
05 - Eddie Kendricks - This Used To Be The Home Of 05:58
Johnnie Mae
06 - Eddie Kendricks - It's So Hard For Me To Say 03:10
Goodbye
07 - Eddie Kendricks - This Used To Be The Home Of 03:54
Johnnie Mae (Long Promo Version)
08 - Sammy Davis Jr. - In My Own Lifetime 02:36
09 - Sammy Davis Jr. - I'll Begin Again 02:33
10 - Sammy Davis Jr. - In My Own Lifetime 02:37
(Stereo Promo Version)
11 - The Jackson 5 - Never Can Say Goodbye 03:03
12 - The Jackson 5 - She's Good 03:02
13 - R. Dean Taylor - Gotta See Jane 03:07
14 - R. Dean Taylor - Gotta See Jane 03:07
(Stereo Promo Version)
15 - Gordon Staples & The Motown Strings - Strung 02:46
Out
16 - Gordon Staples & The Motown Strings - Sounds 02:33
Of The Zodiac
17 - Gordon Staples & The Motown Strings - Strung 03:17
Out (Stereo Promo Version)
18 - Gordon Staples & The Motown Strings - Strung 02:59
Out (Long Promo Version)
19 - Edwin Starr - Funky Music Sho Nuff Turns Me On 03:09
20 - Edwin Starr - Cloud Nine 03:23
21 - David Ruffin & Jimmy Ruffin - When My Love 02:51
Hand Comes Down
22 - David Ruffin & Jimmy Ruffin - Steppin' On A 02:28
Dream
23 - Letta - I Won't Weep No More 02:46
24 - Letta - You Touched Me 03:43
25 - Stevie Wonder - Never Dreamed You'd Leave In 02:53
Summer (Stereo Promo Version)

cd3

01 - Diana Ross - Reach Out I'll Be There 04:07
02 - Diana Ross - (They Long To Be) Close To You 03:49
03 - Diana Ross - Reach Out I'll Be There 05:04
(Long Stereo Promo Version)
04 - Diana Ross - Reach Out I'll Be There 04:03
(Short Stereo Promo Version)
05 - A.P.J. - 02:25
(I've Given You) The Best Years Of My Life
06 - A.P.J. - It Takes A Man To Teach A Woman How 02:37
To Love
07 - Stoney And Meatloaf - What You See Is What You 02:21
Get
08 - Stoney And Meatloaf - Lady Be Mine 03:20
09 - Stoney And Meatloaf - What You See Is What You 02:22
Get (Stereo Promo Version)
10 - The Supremes - Nathan Jones 03:04
11 - The Supremes - Happy (Is A Bumpy Road) 03:08
12 - The Supremes - Nathan Jones 03:02
(Stereo Promo Version)
13 - Bobby Darin - Melodie 02:50
14 - Bobby Darin - Someday We'll Be Together 02:58
15 - The Impact Of Brass - Never Can Say Goodbye 02:44
16 - The Impact Of Brass - So Far, So Good 03:38
17 - The Impact Of Brass - Never Can Say Goodbye 02:49
(Stereo Promo Version)
18 - King Floyd - Heartaches 02:40
19 - King Floyd - Together We Can Do Anything 02:25
20 - Diana Ross & The Jackson 5 - Feelin' Alright 02:17
21 - Diana Ross & Bill Cosby - Love Story 03:18
22 - Gladys Knight & The Pips - I Don't Want To Do 03:23
Wrong
23 - Gladys Knight & The Pips - Is There A Place 03:32
(In His Heart For Me)
24 - Gladys Knight & The Pips - I Don't Want To Do 03:30
Wrong (Stereo Promo Version)

cd4

01 - The Supremes;four Tops - You Gotta Have Love 02:50
In Your Heart
02 - The Supremes;four Tops - I'm Glad About It 03:18
03 - The Supremes;four Tops - You Gotta Have Love 02:30
In Your Heart (Stereo Promo Version)
04 - The Undisputed Truth - Smiline Faces Sometimes 03:20
05 - The Undisputed Truth - You Got The Love I Need 03:04
06 - Ivy Jo - I'd Still Love You 03:21
07 - Ivy Jo - I Can Feel The Pain 02:45
08 - Ivy Jo - I'd Still Love You 03:19
(Stereo Promo Version)
09 - Four Tops - In These Changing Times 03:25
10 - Four Tops - Right Before My Eyes 03:09
11 - Diana Ross - Reach Out I'll Be There 04:03
(Stereo Promo Version)
12 - The Crusaders - Pass The Plate 02:44
13 - The Crusaders - Greasy Spoon 02:50
14 - The Crusaders - Pass The Plate 02:45
(Stereo Promo Version)
15 - Hugh Masekela & The Union Of South Africa - 02:42
Dyambo (Dee-Yambo) Weary Day Is Over
16 - Hugh Masekela & The Union Of South Africa - 04:04
Shebeen
17 - Hugh Masekela & The Union Of South Africa - 02:53
Dyambo (Dee-Yambo) Weary Day Is Over (Stereo Pro
18 - Arthur Adams - Uncle Tom 03:58
19 - Arthur Adams - Mornin' Train 02:46
20 - The Stylists - What Is Love 03:31
21 - The Stylists - Where Did The [CENSORED]ren Go 03:38
22 - Smokey Robinson & The Miracles - Crazy About 02:54
The La La La
23 - Smokey Robinson & The Miracles - Oh, Baby Baby 02:36
I Love You
24 - Smokey Robinson & The Miracles - Crazy About 02:57
The La La La (Stereo Promo Version)

cd5

01 - Marvin Gaye - Mercy Mercy Me (The Ecology) 02:31
02 - Marvin Gaye - Sad Tomorrows 02:24
03 - Marvin Gaye - Mercy Mercy Me (The Ecology) 02:31
(Stereo Promo Version)
04 - Hearts Of Stone - If I Could Give You The World 03:05
05 - Hearts Of Stone - You Gotta Sacrifice 02:46
(We Gotta Sacrifice)
06 - Hearts Of Stone - If I Could Give You The 03:05
World (Stereo Promo Version)
07 - Ken Christie & The Sunday People - The 02:41
Reverend John B. Daniels
08 - Ken Christie & The Sunday People - Jesus Is 02:52
The Key
09 - Ken Christie & The Sunday People - The 03:02
Reverend John B. Daniels (Stereo Promo Version)
10 - R. Dean Taylor - Candy Apple Red 03:37
11 - R. Dean Taylor - Woman Alive 02:37
12 - R. Dean Taylor - Candy Apple Red 03:35
(Stereo Promo Version)
13 - Rare Earth - I Just Want To Celebrate 02:53
14 - Rare Earth - The Seed 03:29
15 - Rare Earth - I Just Want To Celebrate 02:55
(Stereo Promo Version)
16 - The Jackson 5 - Maybe Tomorrow 04:34
17 - The Jackson 5 - I Will Find A Way 03:01
18 - The Jackson 5 - Maybe Tomorrow 04:34
(Stereo Promo Version)
19 - Tom Clay - What The World Needs Nowabraham, 06:21
Martin And John
20 - Tom Clay - The Victors 04:35
21 - Tom Clay - What The World Needs Nowabraham, 05:25
Martin And John (Short Promo Version)
22 - The Temptations - It's Summer 02:53
23 - The Temptations - I'm The Exception To The Rule 03:25

ÄÄÄÄÄ
cd1: 73:39 cd2: 77:52 cd3: 75:26 cd4: 75:22 cd5: 78:51
Release Notes:

http://www.cduniverse.com/productinfo.asp?pid=7787353

Berry Gordy moved Motown from Detroit to Los Angeles at the end of
1968 but, like an earthquake, not all of the aftershocks were felt
after the initial shift. It took a while for all the dust to
settle, for Motown to start feeling like it belonged to Hollywood
instead of the Motor City, for the label to get to the point where
the showbiz began to eclipse the soul, and that year was 1971.
That year, Gordy slowly started to recede from the day-to-day
operations of the label, choosing to pursue interests in film and
television, but Motown hardly shut down in his absence: they
churned out more 45s than ever, releasing so many singles in the
course of a single year that when it came time for Hip-O Select to
cover 1971 in their comprehensive The Complete Motown Singles
series, they had to split the year into two multi-disc box sets.
This, Vol. 11A, covers the first six months of 1971, six months
that had enough activity for a year -- a full six discs of
material, to be precise. The entirety of Motown's 1970 singles
output fit onto a six-disc set for Vol. 10, so it stands to reason
that 1971 either was an embarrassment of riches or found the label
stretching itself a little thin.

The Complete Motown Singles, Vol. 11A: 1971 proves the latter to
be true, containing moments of blinding genius surrounded by
cinematic schmaltz and funky filler. Genius is none too strong a
word for the best music Motown produced in the first half of 1971,
especially the album that defined the year for the label and much
of pop music in general, Marvin Gaye's What's Going On. This was
the first Motown LP to be an artist-driven concept album, a
seismic shift within the label that is just as palpable when it's
sampled here by its two hit singles, "What's Going On" and "Mercy
Mercy Me (The Ecology)," as they sit respectively next to R. Dean
Taylor's AM pop and Hearts of Stone's bubblegum soul, two pieces
of agreeable fluff that have more to do with the label at large
than Marvin's two masterworks. Gaye was hardly the only artist
working at a peak during these six months: Stevie Wonder began to
enter his mature phase, rearranging the Beatles' "We Can Work It
Out," which was backed with the extraordinary "Never Dreamed You'd
Leave in Summer"; Smokey Robinson had the great "I Don't Blame You
at All"; the Jackson 5 had "Never Can Say Goodbye" and "Mama's
Pearl"; Gladys Knight & the Pips had the slow-burner "I Don't Want
to Do Wrong"; the Temptations hit a high watermark with "Just My
Imagination (Running Away with Me)" while David Ruffin had a few
great singles that didn't quite take off; Rare Earth's "I Just
Want to Celebrate" was the peak of Motown's hippie rock; and the
Undisputed Truth's "Smiling Faces Sometimes" proved that it wasn't
just Motown's legacy acts that were turning out great music.

Nevertheless, it's those Marvin Gaye singles that point out the
gap between what Motown's artists were capable of achieving and
the product that the label was cranking out. Blinded by the stars
of Tinsel Town, the label signed up Sammy Davis, Jr. to cut a
single of show tunes, granted Bobby Darin the permission to
indulge in his soulman fantasies, and had Bill Cosby mug with
Diana Ross on Randy Newman's "Love Story" for Ross' TV variety
show -- and this splashy, schmaltzy sound isn't just heard here,
but throughout the lesser-known sides. Often, these justly
neglected 45s don't sound like singles buried in the back of some
dusty record store but rather incidental soundtrack music for a
forgotten television show. There are naturally exceptions to the
rule -- the great Chuck Jackson gamely struggles with the novelty
"Pet Names," Eddie Kendricks' melodramatic "This Used to Be the
Home of Johnnie Mae" has some symphonic force, Stoney & Meatloaf's
"What You See Is What You Get" is a terrific hippie blues-rock
number, and Arthur Adams' scrapped slow blues "Uncle Tom" has a
terrific flip, the insistent dance number "Morning Train" -- but
for the most part the lesser-known singles here are cornball
cultural artifacts, interesting for collectors and soul fanatics,
but they pale too easily next to the unadulterated brilliance of
the best music here.


Part: 2 : Jewel - Goodbye Alice in Wonderland (2006)
Password: sharedmp3.net
ARTiST   : Jewel
ALBUM : Goodbye Alice In Wonderland
LABEL : Atlantic Records
GENRE : Acoustic

RELEASE : 2006-04-21
STREET : 2006-05-02

ENCODER : LAME 3.90.3
QUALiTY : 215kbps avg / 44.1kHz / Joint Stereo
SiZE : 88.60 MB
PLAYTiME : 00:54:36

+ TRACK LiSTiNG +
-----------------

[#] [Track Name] [Time]

1. Again And Again 3:57
2. Long Slow Slide 3:48
3. Goodbye Alice In Wonderland 5:55
4. Good Day 3:46
5. Satellite 5:05
6. Only One Too 3:04
7. Words Get In The Way 3:58
8. Drive To You 4:14
9. Last Dance Rodeo 6:16
10. Fragile Heart 3:21
11. Stephenville, TX 3:56
12. Where You Are 3:28
13. 1000 Miles Away 3:48
54:36


+ RELEASE iNFORMATiON +
-----------------------
So yea, this has some pretty embossed gold print on the front and yet I know you
will all love this because well, who doesn't love Jewel? You'd be crazy to
think we don't like Pop music!

Jewel is about to deliver her most personal and autobiographical record so
far-Goodbye Alice in Wonderland. Not content to relegate herself to a
traditional music arena, or to be typecast, Jewel has established herself as a
culturally significant and relevant brand. Author, songwriter, actress,
poet-there are no limits to how Jewel can and will deliver her message. The
underlining truth that ties it all together is the integrity of that message.

Enjoy!





Sunday, March 8, 2009

Grease - ost (1978) [moldovan] o-zone - disco-zone (2004) [192kbps~320kbps]

Part: 1 : Grease - ost (1978)
Grease - OST (1978) Genre: Soundtrack | Format Ape + IMG + Covers [351 Mb (3% recovery)] | Mp3 320 kbps [147 Mb (3% recovery)] | 63:25 Grease OST is a pop culture perennial, and it's not hard to see why -- its good-natured pastiche of doo wop and early rock & roll is infectious and charming, due in no small part to John Travolta and Olivia Newton-John's charismatic, engaging performances. They sing the majority of the originals -- "Summer Nights," "Hopelessly Devoted to You," "You're the One That I Want," "Sandy," "Greased Lightnin'" -- which were the reason why the film and soundtrack became blockbusters...The sleek pop production the movie's soundtrack boasts and the cast's enthusiastic performances go a long way in making this Grease the definitive Grease...This soundtrack album is the second biggest-selling in pop music history after the Saturday Night Fever soundtrack.
Part: 2 : [moldovan] o-zone - disco-zone (2004) [192kbps~320kbps]
O-Zone
Album: DiscO-Zone (2004) Quote:Source: wikipedia
O-Zone was a Moldovan pop music trio that gained global popularity for their song Dragostea din tei. Its members were Dan Bălan, Radu Sîrbu, and Arsenie Todiraş (also known as Arsenium).Tracks List:
01 - fiesta de la noche
02 - de ce plang chitarele
03 - dragostea din tei
04 - printre nori
05 - oriunde ai fi
06 - numai tu
07 - dar unde esti
08 - despre tine
09 - sarbatoarea noptilor de vara
10 - nu ma las de limba noastra
11 - crede ma
12 - dragostea din tei crystal mix(bonus track)
13 - dragostea din tei nectar remix(bonus track)
You may heard one of the songs of this album before.
dragostea din tei was actually the song used in Numa Numa Dance by Gary Brolsma
Sample:
sample_track3.mp3Link: ( 80MB *192kbps~320kbps*) Code:http://[CENSORED].com/files/134049273/OZon_DiscO__2004.rar
Password: Code:his-elevator

Mute - a single chunk of preliminary drama and the thruth about pop music-(smpt011 1)-limited cds-2008-hb Kocky-stadium status-(ffl016)-2008-pyt

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Saturday, March 7, 2009

Cheeky girls - have a cheeky christmas (2003) Cheeky girls - have a cheeky christmas (2003)

Part: 1 : Cheeky girls - have a cheeky christmas (2003)
Cheeky Girls - Have A Cheeky Christmas (2003) Mpeg2 | 576x480 25fps | 3min | 56.69 MB The Cheeky Girls are a pop music duo formed by twin sisters Monica and Gabriela Irimia, from Cluj-Napoca in Transylvania, Romania, but based in Britain. The sisters were born on October 31, 1982 to Doru and Margit Irimia. Gabriela is older by 10 minutes.
Part: 2 : Cheeky girls - have a cheeky christmas (2003)
Cheeky Girls - Have A Cheeky Christmas (2003) Mpeg2 | 576x480 25fps | 3min | 56.69 MB The Cheeky Girls are a pop music duo formed by twin sisters Monica and Gabriela Irimia, from Cluj-Napoca in Transylvania, Romania, but based in Britain. The sisters were born on October 31, 1982 to Doru and Margit Irimia. Gabriela is older by 10 minutes.

Natasha bedingfield-pocketful of sunshine-(deluxe edition)-2008-mtd Pop classics 2002 ntsc mdvdr-c4dvd

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